Some Kind of Wonderful (1987)
These may come across as unconventional sentiments out of me, especially after a month of binging trash, but fuck it. Some Kind of Wonderful really is Some Kind of Wonderful.
It's a John Hughes written/produced movie about high school and the prospects of life beyond. It has a strong message about class that probably influenced me more than I realized.
Keith (Eric Stoltz) is the high school "outcast" here, but when I saw this movie on tv as a kid, I always thought he was so cool. Relaxed and conniving at the same time, hard working, and cool in his own right. I always wished I could be in his shoes when my turn at high school came up. He juggled work, school, family, art, and multiple women. Seems ideal, right? Well, my high school experience was nowhere near as cool as his, but that's not the point here. The point is that he was inspiring to me then, a 10 year old looking for a role model in a tv guide, and this movie stuck with me.
I also see a lot of my dad in his dad, played by John Ashton, who nags him a lot about going to college. I always told myself I wouldn't, but I caved eventually. At this point though, I still agree with Keith that school isn't a prerequisite to live a fulfilling life, but it's not about whether he does or doesn't. It's about the opportunity being out there, and only he himself can decide what he wants.
It's a definite coming of age movie with great characters:
Mary Stuart Masterson is Watts, the tomboy who hides her feelings as her best friend Kieth opposes them. Lea Thompson is Amanda Jones, like the song, who Keith decides to free from her social inhibitions. Craig Sheffer is Hardy, a great fuckin' bully who you love to hate. And finally, Elias Koteas is the punker with the heart of gold who gives me vibes of De Niro from Mean Streets. I love him!
Them and all the others are great. They're written as cliches, but the next layer of the script exposes their depth, and that's what life is about. Find the cliches and prove them wrong.
In a way though, this movie may seem like a typical 80s cliche, but it wasn't at the time. It had a message, it said it, and I think it said it very well.
#Review
📝 Posts Hashtagged #Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Zombi 3!
It's been years since I watched this, so I felt a need to dust off the dvd, and I'm glad I did. This movie was a blast. Basically the culmination of Italian zombie movies. It's as if Fulci actually understood the genre for a change, and he understood it perfectly!
This movie wastes no time getting started. We have an outbreak after a sabateur steals a military virus, spreads the love at a nearby resort, and bam! Zombies galore.
What surprised me is how competent this movie was. Some of the scenes were pretty intense. Freaky even, like the gas station zombie in the beginning and how fast he was moving while swinging a machete at the girl. The zombies in this movie aren't predictable. Some shamble, some flail about, and some of them give us good fight scenes and nice kills made even better by the movie's groovy score.
Those fight scenes were pretty great actually. Our protagonists include a few military guys who have scenes where they alone must survive and escape the horde, and since they're not complete dumbasses, you might actually find yourself rooting for them. And even then, they sometimes get overrun, because the zombies in this movie are some volatile bastards.
Not only is this movie action packed, but there's loads of fog and atmosphere. The plot isn't original at this point, but it pulls from all the best sources: Romero's Dead trilogy, The Crazies, Nightmare City, and Return of the Living Dead. There was a good effort in getting the right vibes for some of these scenes, and that struck such a chord with me that, dare I say, this is top-10 zombie material, better than Zombi 2, and probably Fulci's most entertaining movie ever.
#Review
It's been years since I watched this, so I felt a need to dust off the dvd, and I'm glad I did. This movie was a blast. Basically the culmination of Italian zombie movies. It's as if Fulci actually understood the genre for a change, and he understood it perfectly!
This movie wastes no time getting started. We have an outbreak after a sabateur steals a military virus, spreads the love at a nearby resort, and bam! Zombies galore.
What surprised me is how competent this movie was. Some of the scenes were pretty intense. Freaky even, like the gas station zombie in the beginning and how fast he was moving while swinging a machete at the girl. The zombies in this movie aren't predictable. Some shamble, some flail about, and some of them give us good fight scenes and nice kills made even better by the movie's groovy score.
Those fight scenes were pretty great actually. Our protagonists include a few military guys who have scenes where they alone must survive and escape the horde, and since they're not complete dumbasses, you might actually find yourself rooting for them. And even then, they sometimes get overrun, because the zombies in this movie are some volatile bastards.
Not only is this movie action packed, but there's loads of fog and atmosphere. The plot isn't original at this point, but it pulls from all the best sources: Romero's Dead trilogy, The Crazies, Nightmare City, and Return of the Living Dead. There was a good effort in getting the right vibes for some of these scenes, and that struck such a chord with me that, dare I say, this is top-10 zombie material, better than Zombi 2, and probably Fulci's most entertaining movie ever.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Nuke 'Em High, Part II
After the school was destroyed in the first movie, it's only natural that, for entertainment's sake, the school be rebuilt and merged with the nuclear power plant. Our protagonist is a beefcake named Roger who everybody views as a stupid nerd, which is pretty funny. He finds love with a woman named Victoria, who happens to be a subhumanoid with a mouth on her belly button, capable of melting down into a pile of green slime at any point!
I've been told that this movie sucks, but I was pretty entertained the whole damn time. It's very much in the vein of a Lloyd Kaufman directed movie, even though he served more as a writer/producer. Everyone is batshit crazy, dressed like punks and weirdos, and the women are completely objectified. Everyone gets covered in blood and slime, they're all dumb as shit, and I'm completely content with all of this.
It's funny how the main character always talks to his recorder, addressing it as Diane. This was around the same time that Twin Peaks came out, so it can very well be an homage or coincidence. I've always thought that Lisa Gaye is pretty sexy and ridiculous at the same time with her snooty bee-haviour and bee-hive hairdo. I looked her up and saw that she reprises her role in the next movie, as well as a 2020 Lloyd Kaufman film "Shakespeare's Shitstorm". So Lloyd actually directed a movie recently?!
Also, the film is part Godzilla movie, only instead of a giant lizard, it's a giant mutated Squirrel. It's Troma-riffic.
#Review
After the school was destroyed in the first movie, it's only natural that, for entertainment's sake, the school be rebuilt and merged with the nuclear power plant. Our protagonist is a beefcake named Roger who everybody views as a stupid nerd, which is pretty funny. He finds love with a woman named Victoria, who happens to be a subhumanoid with a mouth on her belly button, capable of melting down into a pile of green slime at any point!
I've been told that this movie sucks, but I was pretty entertained the whole damn time. It's very much in the vein of a Lloyd Kaufman directed movie, even though he served more as a writer/producer. Everyone is batshit crazy, dressed like punks and weirdos, and the women are completely objectified. Everyone gets covered in blood and slime, they're all dumb as shit, and I'm completely content with all of this.
It's funny how the main character always talks to his recorder, addressing it as Diane. This was around the same time that Twin Peaks came out, so it can very well be an homage or coincidence. I've always thought that Lisa Gaye is pretty sexy and ridiculous at the same time with her snooty bee-haviour and bee-hive hairdo. I looked her up and saw that she reprises her role in the next movie, as well as a 2020 Lloyd Kaufman film "Shakespeare's Shitstorm". So Lloyd actually directed a movie recently?!
Also, the film is part Godzilla movie, only instead of a giant lizard, it's a giant mutated Squirrel. It's Troma-riffic.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Savage Streets (1984)
So this movie is basically perfect. From the late Danny Steinman pre F13-5 infamy, this here is high school rape/revenge gang movie set in Los Angeles 1984. You can't get a more perfect setting.
As it begins, our female protagonists are led by Linda Blair, whose nips are the first thing you see. Don't worry, you eventually get to see her topless, but we'll get to that later. Her deaf little sister is played by Linnea Quigley, and it's funny to see her playing such a naive and innocent girl. Well, she almost gets hit by a car driven by our punk antagonists, and here's the funny thing... the gang apologizes and offer the girls a chance to party. The girls respond by telling them off, stealing their car, and trashing it. Who is in the wrong here?
We're eased into a high school setting, which offers a lot of great 80s cheese to fluff out the movie before the main action starts. Apparently, gym class encourages the students to wear the most skimpy of outfits, but I'm not complaining. Then there's the shower scene, which is chock full of titties. There are a lot of titties in this movie. It's wonderful.
As things escalate between our heroes and villains, the bad guys decide to take it out on sweet little Linnea, because after all, she gets raped in a lot of her movies. It's her calling card. Things don't stop there as the gang becomes increasingly unhinged as one of the newest members (who kinda looks like a twerpy version of Al Pacino) experiences remorse and regret, and from then on, you can figure out the rest.
The 80s flair is through the roof. You'll even hear some cheesy anthems to accompany quasi-montage scenes until the violent climax hits. At first it seems all too easy, but then it becomes a cat and mouse chase. I tell ya, this movie has villains that you love to hate. What I really like are the little scenes that are there simply to add character and authenticity. Things like John Vernon playing himself, students fucking with the teachers, and crossbows. This movie has all kinds of shit to offer, so you're bound to like some of it.
#Review
So this movie is basically perfect. From the late Danny Steinman pre F13-5 infamy, this here is high school rape/revenge gang movie set in Los Angeles 1984. You can't get a more perfect setting.
As it begins, our female protagonists are led by Linda Blair, whose nips are the first thing you see. Don't worry, you eventually get to see her topless, but we'll get to that later. Her deaf little sister is played by Linnea Quigley, and it's funny to see her playing such a naive and innocent girl. Well, she almost gets hit by a car driven by our punk antagonists, and here's the funny thing... the gang apologizes and offer the girls a chance to party. The girls respond by telling them off, stealing their car, and trashing it. Who is in the wrong here?
We're eased into a high school setting, which offers a lot of great 80s cheese to fluff out the movie before the main action starts. Apparently, gym class encourages the students to wear the most skimpy of outfits, but I'm not complaining. Then there's the shower scene, which is chock full of titties. There are a lot of titties in this movie. It's wonderful.
As things escalate between our heroes and villains, the bad guys decide to take it out on sweet little Linnea, because after all, she gets raped in a lot of her movies. It's her calling card. Things don't stop there as the gang becomes increasingly unhinged as one of the newest members (who kinda looks like a twerpy version of Al Pacino) experiences remorse and regret, and from then on, you can figure out the rest.
The 80s flair is through the roof. You'll even hear some cheesy anthems to accompany quasi-montage scenes until the violent climax hits. At first it seems all too easy, but then it becomes a cat and mouse chase. I tell ya, this movie has villains that you love to hate. What I really like are the little scenes that are there simply to add character and authenticity. Things like John Vernon playing himself, students fucking with the teachers, and crossbows. This movie has all kinds of shit to offer, so you're bound to like some of it.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
BlacKkKlansman
Everybody ought to know by now that Spike Lee is the one of the most racist directors of all time. Somehow, his movies always end up alright in spite of his awful and ironic sentiments, and this movie is no exception. It's actually kind of funny for the most part, because everybody likes to laugh at white supremacists. Especially when they're all dumb rednecks, which is exactly how Spike Lee views every white person.
John David Washington sports a killer afro and sounds exactly like his father. He's the voice and Adam Driver is the vessel to infiltrate the klan and the progression is fairly entertaining for the most part, but it starts to get preachy at the end before it all falls apart.
For those less astute individuals, the title of this movie contains three letters that ought to give you an idea why this movie was made: BlacKkKlansman
Don't you just hate it when an otherwise good movie turns to complete horse shit in the closing moments? We had a decent 1970s biopic on our hands, it wrapped itself up, and then it turned into an anti-Trump PSA by (in a typical CNN manner) playing footage completely out of context. Yes, the movie was racially motivated by then current events, but the final message was so incredibly forced and heavy-handed that this movie ends up being another piece of racial propaganda bullshit that wants me to feel guilty for being white.
#Review
Everybody ought to know by now that Spike Lee is the one of the most racist directors of all time. Somehow, his movies always end up alright in spite of his awful and ironic sentiments, and this movie is no exception. It's actually kind of funny for the most part, because everybody likes to laugh at white supremacists. Especially when they're all dumb rednecks, which is exactly how Spike Lee views every white person.
John David Washington sports a killer afro and sounds exactly like his father. He's the voice and Adam Driver is the vessel to infiltrate the klan and the progression is fairly entertaining for the most part, but it starts to get preachy at the end before it all falls apart.
For those less astute individuals, the title of this movie contains three letters that ought to give you an idea why this movie was made: BlacKkKlansman
Don't you just hate it when an otherwise good movie turns to complete horse shit in the closing moments? We had a decent 1970s biopic on our hands, it wrapped itself up, and then it turned into an anti-Trump PSA by (in a typical CNN manner) playing footage completely out of context. Yes, the movie was racially motivated by then current events, but the final message was so incredibly forced and heavy-handed that this movie ends up being another piece of racial propaganda bullshit that wants me to feel guilty for being white.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
The Little Things (2021)
HBO Max and facebook have been shoving this down my throat, so I figured I'd give it a whirl. Denzel plays a cop who basically ruined his life on his previous case because he got too invested. Somehow or another, he gets roped into a serial killer case, teams up with Rami Malek, and you can watch the rest to see how it unfolds.
My thoughts? It's well made, but that doesn't mean it's great. It's certainly not bad, so I guess I'd say it just is. I think a lot of these detective crime stories are loaded with filler, because it's not always interesting to get from point A to point B.
Don't shoot me, but I'm not the biggest Denzel fan. I think he's overrated, but he does all right here. Rami Malek is weird. And when I say weird, I mean weird looking. Dude looks like an alien and I'm supposed to move past it. Okay. So the only primary cast member left is Jared Leto, and he's the guy you want to watch the movie for. Even though he isn't in much, he's so method that you know part of him is enjoying being a weirdo creep.
The ending isn't quite what you expect, but I liked it. I think it helps justify a lot of the middle muck, and it does make you question a bit about character motives after. Not the worst way to start off 2021.
#Review
HBO Max and facebook have been shoving this down my throat, so I figured I'd give it a whirl. Denzel plays a cop who basically ruined his life on his previous case because he got too invested. Somehow or another, he gets roped into a serial killer case, teams up with Rami Malek, and you can watch the rest to see how it unfolds.
My thoughts? It's well made, but that doesn't mean it's great. It's certainly not bad, so I guess I'd say it just is. I think a lot of these detective crime stories are loaded with filler, because it's not always interesting to get from point A to point B.
Don't shoot me, but I'm not the biggest Denzel fan. I think he's overrated, but he does all right here. Rami Malek is weird. And when I say weird, I mean weird looking. Dude looks like an alien and I'm supposed to move past it. Okay. So the only primary cast member left is Jared Leto, and he's the guy you want to watch the movie for. Even though he isn't in much, he's so method that you know part of him is enjoying being a weirdo creep.
The ending isn't quite what you expect, but I liked it. I think it helps justify a lot of the middle muck, and it does make you question a bit about character motives after. Not the worst way to start off 2021.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Hard to Die! 1990
Here's a link to my review for this movie:
https://trashepics.com/post/1/771/
If you're wondering why the fuck I'm referring you to a review of Sorority House Massacre 2, it's because it's the same fucking movie!
The only real difference is that this one is set in a big office building instead of a sorority house, but otherwise, you have the same cast (either renamed OR playing the same characters), the same tropes, the same flashbacks to Slumber Party Massacre 1, and the same damn plot progression. Most importantly, this movie features the triumphant return of one Orville Ketchum, though the actor Peter Spellos is surprisingly NOT credited for this on imdb. Maybe the imdb editors were confused because this movie credits "And Orville Ketchum as Himself". 😄
This was shot back-to-back with the last one, so the vibes are exactly the same. However, this one features more guns with even less continuity behind them. For example, people can be standing feet away from each other blasting each other with ak-47s and still miss. There will be no bullets hitting the walls or breaking the glass behind them, because the budget was obviously tiny. This movie was shot in 10 days, they follied a few sounds of squeaky toys and balloons for whenever the girls rub their breasts, and fuck it. Send it to the distributors as is!
Anyway, all you need for a movie like this to be successful is a bunch of scantily clad dames running around screaming and taking long showers. Put a random trash can on the roof of an office building, make a reference to Walter Paisley, and I'll be extra happy. Despite all the naked bimbos in this movie, Orville Ketchum is the real star.
#Review
Here's a link to my review for this movie:
https://trashepics.com/post/1/771/
If you're wondering why the fuck I'm referring you to a review of Sorority House Massacre 2, it's because it's the same fucking movie!
The only real difference is that this one is set in a big office building instead of a sorority house, but otherwise, you have the same cast (either renamed OR playing the same characters), the same tropes, the same flashbacks to Slumber Party Massacre 1, and the same damn plot progression. Most importantly, this movie features the triumphant return of one Orville Ketchum, though the actor Peter Spellos is surprisingly NOT credited for this on imdb. Maybe the imdb editors were confused because this movie credits "And Orville Ketchum as Himself". 😄
This was shot back-to-back with the last one, so the vibes are exactly the same. However, this one features more guns with even less continuity behind them. For example, people can be standing feet away from each other blasting each other with ak-47s and still miss. There will be no bullets hitting the walls or breaking the glass behind them, because the budget was obviously tiny. This movie was shot in 10 days, they follied a few sounds of squeaky toys and balloons for whenever the girls rub their breasts, and fuck it. Send it to the distributors as is!
Anyway, all you need for a movie like this to be successful is a bunch of scantily clad dames running around screaming and taking long showers. Put a random trash can on the roof of an office building, make a reference to Walter Paisley, and I'll be extra happy. Despite all the naked bimbos in this movie, Orville Ketchum is the real star.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Tromafreak's Trashy Top 10 Of 2020
And what a fantastic year to make some cinematic discoveries! They can make us not do a lot of things during a pandemic, but obsessively searching streaming services for random movies at 2 A.M. is not one of them... at least not yet. It's been a dark time, an uncertain time on many levels. A time, if one can, to distract oneself from the harsh realities of the real world and the fake news. Today is the day we're going to take a look at my top ten something or other. Not exactly my ten favorites, per se. Mainly the ones that left an impression, and few that surprised me. They're not all trashy, and they're certainly not all good. However, as you will see, my 2020 was far from uneventful.
1. I got to start out with a bad one. One of, if not the most inept shot-on-video horrors I've come across in recent years. Not to say it's anywhere near the worst, but wow! This one got some issues. And somehow, I went until this year without ever even hearing about Fatal Possession (1995). Not since my discovery of Criminally Insane have I started a bad movie, and within 5 minutes, asked the question "Where have you been all my life?". Or most of it, in this case. Who cares? I have found thee and am forever grateful someone created you. That someone's name is Adeeb Barsoum, and, as I had suspected, Fatal Possession makes up 100% of his "film career". And wouldn't you know, this mystery man of many talents also wrote, produced, shot and edited this abomination. It's easy to believe Mr. Barsoum had never seen any other SOV before this, and possibly never knew they were a thing. Just a feeling I get. It just feels like more of a light-hearted sitcom than anything. I get sort of a Growing Pains vibe from this one.
One thing is clear: This Adeeb guy really wanted to make a movie about Egyptian... stuff? Hey, maybe there's some Blood Feast inspiration in here somewhere. In fact, the acting is pretty much right there in HGL territory. Actually, I'm being kind. It's a lot closer to something like Birdemic or The Room. So, a girl named Ann is possessed (off and on?) by some Egyptian Queen, and has been for years, it seems. Some other spirit talks to her a lot and tells her to do shit through what sounds like an intercom. She gets out of bed a lot and wanders around outside during what it supposed to be night, but is really a blue filter on the camera lens. That's pretty fun. Ann seems to have some positive, supportive friends. They all say, "oh, cool" a lot and seem like some super well-adjusted teens who just want to have a good time. The group recently added a new friend, Nancy, who is a bit too interested in Ann's issues, and may soon prove to be a problem. Not the easiest premise in the world to follow or to describe, but premise be damned. This is all about some amazingly bad execution and an apparent obliviousness to how humans behave. The one dimensional, basic characters with their teeny bopper dialogue gave me quite the laugh worthy of many rewatches to come. 4/10
2. And now for something far, far more professional, yet somehow even weirder. Recently, I watched a movie called Swallow (2019). This one revolves around real-life subject matter I don't think I was even aware of. Apparently, some people really enjoy eating the inedible. Or swallowing things. just things. Though Swallow is also about much more than just that. Swallow seems to be more so about strange compulsions, in general, and what might make a person cling to one they were seemingly long past. Feeling unappreciated, repressed, invisible. Maybe feeling all that wouldn't make just anyone eat a bunch of random shit, but for a pregnant housewife who thinks she found the man/life of her dreams, yet has tons of repressed issues, well, hell. Maybe it's time to just eat some dirt!
Hunter is a mousy little woman. Quiet and polite enough to come off a little sad. Or maybe she's just shy. Whatever it is, she has married into the wrong family. Hunter is very wrapped up in pleasing her husband, Richie. She wants to be perfect for him, which is convenient because it seems to be expected. Such a nice house, so many nice things, no real problems. However, this girl isn't into this life at all. Hunter is trying to pretend hard enough to just make it true. Maybe if there was a little warmth in this house, maybe if Richie could just show that he cares about something besides work or his appearance. Ever see American Psycho? Richie isn't insane or anything, but as far as being a superficial douche, it's a fair comparison. However, Richie isn't as funny or as charismatic. Richie's controlling parents aren't making things any easier as they are obviously the source of the problem. Hunter is miserable, but nobody seems to care enough to notice. It may be time to resort to the one thing she knows will guarantee relief. Time to eat a marble. This escalates to many unusual things being consumed, which genuinely takes the edge off this shitty life. Once Hunter's secret is out, we then see what this marriage is all about. Swallow is, by far, one of the most interesting things I've seen all year. Classy yet extremely odd. It'll really suck you in... so to speak. 6/10
3. How 'bout a western? I've actually discovered several decent ones this year. One in particular from exploitation filmmaker, Al Adamson. Director of Brain Of Blood, as well as several uninteresting horror and biker flicks from the 60's and 70's. It's been a while since I've given one of Adam's films a shot, and I'm glad I did because Jessi's Girls (1975) really did it for me. An exploitation western which would also be fair to describe as a rape-revenge flick. This story is about a Mormon couple who are heading out west to start a life together. Oblivious to the evils of the world, Seth and Jessica Hartwell are about to be made aware of just how evil this world can be. So close to their new life, yet so far, the Hartwells just happen to run into a gang of shitheels that have no intention of letting them pass unscathed. Unfortunately, these guys don't take it easy on those without much to steal. All the couple has to spare is their lives and the wife's vagina. So, Jessica is raped and both are shot and left for dead. However, one of them manages to survive...
Jessica lives. However, the life she had before her has vanished, and the person she was to become, now impossible. Evil destroyed who she was. Once Jessica heals up and gets it together, it becomes evident that hate now lives in her heart. And that hate will no doubt grow until vengeance is fulfilled. While exhausted, driven half crazy and starved, Jessica comes across this Grizzly Adams-type character who helps her out, offers a little advice, and after a little coaxing, teaches her how to shoot like a pro. And as you might have guessed, this girl is a natural. Once prepared, Jessica knows she can't do what she needs to do all by her self, so, she now sets out to find some partners in crime. Jessica shoots a couple of cops who are taking some unruly ladies to jail, earning her loyalty from the would-be prisoners. Now ring leader, Jessica convinces them all that offering their services will be well-rewarded as her targets have money to steal. Nobody has anything to lose but everything to gain. What a damn fine movie! Maybe it's not always a great idea to dismiss someone as a shitty filmmaker if you haven't seen their entire filmography. You never know what you might have overlooked. 7/10
4. Ok, hear me out! I get it. Child's Play didn't need a remake. I'm not saying it should have happened, but did you see that Cabin Fever remake? Elm Street anybody? I mean, come on! It gets much worse than this harmless little thing. I got respect for this one because it's totally its own thing, not trying to recreate anything. In fact, I'd be willing to bet, most people who hate this probably wouldn't if it was called anything else. The story is kept far away from Charles Lee Ray and pals, and I think that was a positive. Maybe, in time, people will see that this one means them no harm. Child's Play (2019) is a less dark, more clever take on the killer doll story. No killer, no voodoo shit. This is more of a "technology gone wrong" situation. It's not exactly clear what has gone wrong at first, but it's definitely technology-related.
One thing this re-imagining does have is an Andy Barclay. A few years older than the little kid from the original, so, he gets to work with more complex dialogue. Last year, Andy wanted one of those new Buddi dolls but never got one. His mother finally managed to swing it, but he's not into that anymore. After some convincing, Andy gives his new toy/friend a shot. These interactive machines can be programmed to not only control all the devices in the house but also be your BFF. For some reason, this doll insists on calling itself Chucky, and that's ok. Andy has little patience for this thing, and is kind of creeped out by it, which is portrayed quite comedically. Qualities like this is what really sets this apart from the other movies, I think. As Andy gets used to his uncomfortably dedicated new pal, he soon learns that he must be careful of what he says and how he says it when around this thing, which is constantly. Like for example, when the cat scratches him, or when his mom's boyfriend pisses him off. This advanced machine understands a lot of things, but right and wrong and figures of speech, not so much. Chucky's friendship with Andy is the only right, and people hurting Andy is the only wrong. And those who fuck with his "friend till the end" must be dealt with. Despite getting a little attached to this thing, Andy knows what must be done, which, of course, makes things much worse. So, yeah, I said it. It's a good movie! I know this gets put in the same category with all the shitty remakes, but I just don't see it. 5/10
5. Despite having an interest, I've never made it a point to delve too deeply into the world of adult animation. I've always known there is a lot of fascinating, thought-provoking stuff out there, and most of it seems to come from elsewhere (outside the U.S.). And aside from that, the ones I personally gravitate toward almost always comes from way, way back. Like mostly pre-80's as I find old school animation more appealing. Like the films of Ralph Bakshi, for a rare American example. Or films like Fantastic Planet, which might very well be my all-time favorite animated film. Anyone who is into trippy shit, or just something extra unique or unusual, needs that one in their life asap. It wasn't until this year that I made it a point to look up director, René Laloux's filmography, and found something almost as fascinating: A similar, yet more coherently told movie, called Time Masters (1982).
Along with a tone similar to Fantastic Planet, This French Sci-fi-Fantasy epic feels a little closer to something like Heavy Metal at the same time. And since this film came out a year later, I can only assume this was intentional. So, on the planet of Perdide, this family has been attacked by giant murder hornets. The mother, killed, and the surviving father and son have crashed their vehicle. The father isn't going to make it. Realizing his son's safety is all that matters now, the father gives Piel a little machine which serves as a walkie talkie of sorts. Some time ago, Peil's father gave an identical device to an old friend in case there was ever an emergency. Moments before death, the dying father leaves an urgent message to Jaffar to find and rescue his son from the dangers of this planet. Unfortunately, Jaffar is light years away, taking care of his own business involving the transportation of a couple of fugitives. However, plans now must change as Jaffar tries his best to direct Piel to safety while shielding him from the harsh realities of the situation. Piel is too young to grasp all that has happpened. In fact, he believes this "talking device" to be a conscious machine that can communicate on its own. No matter because as long as Piel follows instructions, he should make it out of this alive. An intriguing story leading to a pretty fascinating twist involving time travel. Yet another obscurity worth tracking down. 7/10
6. A while back, I came across one racial-tension ice breaker of a comedy that I know I've heard of before, called Watermelon Man (1970). And I can totally see a movie like this being somewhat helpful in this era, if viewed with a healthy perspective, of course. Racism is no fun, and from what I hear, it was far less fun way back when. One day, things start going in the right direction, but obviously things can't just be fixed over night, so, why not have some movies (and sitcoms, of course) poking fun at racism? Could be fun. Could even be beneficial. I think that's exactly what American society needed in 1970: A movie about a white racist whose life turns to total shit because, for some unexplained reason, he wakes up black one morning. An issue that may not sound like much of an issue to most of us these days, but people just randomly turning black 50 years ago? I can see how it could be alarming to some who ain't "with it".
First, let me point out that the guy who starts out white is played by the same guy who ends up black, so that was probably for the best. Godfrey Cambridge plays Jeff Gerber: An obnoxious, uncoordinated jackass with very little sense of humor and even less tolerance for the darker race. Jeff, I guess, is supposed to be how the black man sees the white man. Cambridge's portrayal of Jeff is just ridiculous enough to be hilarious, as the clueless fuck stumbles through life, oblivious to himself and the feelings of the people around him. Jeff's wife, Althea, supposedly the less racist of he two, is played by none other than Estelle Parsons, who isn't looking terrible. Parsons and Cambridge are pretty good together, as Althea supports Jeff in his time of need. So, yeah, ok. This guy just wakes up black one morning, and does not take it particularly well. After whining, sobbing and praying doesn't work, Jeff tries out one of the other home remedies for this affliction by bathing in milk. No, this is one issue milk cannot fix either. Jeff is stuck like this and now much direct his energy into acceptance, maybe even optimism. Good luck with that, as he has gone from being seen as a joke to that of a threat. Jeff's colleagues, his neighbors, and ultimately even Althea, reacts less than favorably. Hopefully, Mr. Gerber learns something from all this. Hopefully, a few viewers did too. 5/10
7. And on to what might be the best all around film I've seen this year. People seem to be a bit divided on this one. More so than a similar one I remember watching, called Ex_Machina. This one is called Archive (2020). Like Ex_Machina, this movie focuses on artificial intelligence. However, the story of Archive is something more personal. Maybe a little deeper. This movie is about much more than technological advances. Archive also touches on loss, grief, the emptiness that comes with it, and the desperation to somehow escape it. In the world we know, that is impossible. Only time can heal such wounds. In the future, maybe not. In the year 2038, things, a lot of things could change soon. That is, if a certain scientist is left to do his thing.
Somewhere out in an isolated area, scientist George Almore is working on a groundbreaking project, and it seems to be on its way to completion. No one has come quite so close to creating true artificial intelligence. A human-equivalent with feelings, emotions and memories. George is currently working on his third and possibly final prototype. We get to know prototype 1 and 2, who are still hanging around despite being obsolete. The first one is a clunky-looking thing with no real communication skills, while still aware of what is going on around it. The second, a slicker version of the first. Communication skills on par with humans, but slightly less capable of reasoning. #2 has noticed how much time George has been spending with the new one. The new one being far more human-like. #2 also notices how George now spends less time with it. Only a short time ago, things were different, and #2 cannot understand why it has been discarded. This robot is human enough to feel rejection and depression, but George's real agenda is too important for him to be concerned with this thing's "feelings". In this story, the human soul/essence can be temporarily held in a hard drive, and George may have found a way to use this technology to resurrect his deceased wife. #1 and #2 were merely tools to make that happen. #3 just might be the payoff. I'll admit, I felt really bad for prototype #2. Kind of sad, but fascinating most of all. A sci-fi drama that is sure to make one feel as well as think. 8/10
8. And now, on to what is, hands down, my favorite first time viewing of the year. And if I'm not mistaken, this is the only movie I've rated a 10 out of 10. This is the Life And Times Of Grizzly Adams (1974). Literally the only thing I knew about Grizzly Adams before this year was some random reference made in the movie Clerks by Jason Mewes. I just happened to come across this one on Youtube one night, and what a fantastic movie to get high to! I mean, it's definitely some tree hugging hippie shit, but yeah. I'm sold within a couple minutes into this. The movie takes place in 1853, about a man named James Adams who is accused of a murder he didn't commit. And instead of spending his life like a caged animal, Adams escapes into the wilderness, never to be seen again.
This is a journey that will have no end. A journey that won't get easier any time soon as loneliness, fatigue, and starvation is inevitable, but adjustments must be made, just the same, because there's no going back. James Adams is on his own on a level he never imagined. Or is he? Adams soon discovers that there isn't a single animal out here that fears him or wants to harm him. Adams will soon make a lifelong friend as he discovers a grizzly cub in trouble whom he helps and takes with him on his journey. A bear he would name Ben, who would never leave his side. Adams also makes friends with an Indian who occasionally appears out of nowhere throughout the movie. As the years roll by, Ben the bear grows as Adams grows older. Together, they travel deeper and deeper into the wilderness, searching for the perfect spot to build a home. The longer Adams is away from civilization, the further he wants to be away from people. Not because he is afraid of getting caught, but because fuck them! It started as an intimidating last resort, but some years later, Grizzly Adams realizes he was meant to be out here, spending his life playing with animals and helping them however he can. As it would turn out, this film is far from the end. The success of this movie actually led to a TV series which went on for 2 seasons. This TV version isn't cannon to the movie, and adds a little humor, which is actually pretty cool. In this version, we got Grizzly Adams pallin' around with cranky old bastard, Denver Pyle, who is comedy gold as well as unrecognizable from his Andy Griffith days. There would have been a third season had actor Dan Haggerty not sold a bunch of coke to an undercover cop, but that's another story. 10/10
9. This year, I finally tracked down one of the only Herschell Gordon Lewis films left that I hadn't seen. For anyone who is familiar with his filmography, you may be aware that the man did far more than just a bunch of gore films. Strangely, those gore films happen to be some of the most normal films he made. The early ones even come off somewhat family-friendly at times, which was most likely to ensure that they actually had a shot at finding an audience. In between those early, wholesome gore films and those latter, trashy ones, ol' Herschell managed to become a jack of all exploitation trades. The man did hixploitation, sexploitation, some porn, a biker flick, kiddie flicks and even some juvenile delinquent films, which were somewhat popular in the 60's. I suppose this next one I'm going to talk about more or less falls under that category. This is The Alley Tramp (1968).
In this movie, "the alley tramp" is nothing more than a 16 year old little brat. Marie recently caught an eye full of her parents getting it on and now wants to make things super awkward by becoming a nympho. Eager to get her tender little under aged pussy tore up by anyone she can. Marie starts getting cozy with her third cousin, Philip, who isn't up for it at first, but quickly gives into temptation and lets her have it. The cousins go on to fuck all over the place as Marie's parents express very little issue, even confirming that it's legal for third cousins to marry. Fair enough. And as she gets fucked more and more, Marie becomes more of an arrogant, know-it-all dickhead to her parents. This, of course, all comes to a head when Marie gets it on with her mother's boyfriend. As the empowered Marie taunts her crying mother, it becomes clear this girl needs to be taken down a peg before it's too late. Hopefully, that can happen without an unwanted pregnancy. So, I'm not sure exactly what the point of all this was but it sure was a train wreck. I can't imagine what the moral of this story could possibly be. Don't get greedy and go after your mom's beau if your cousin is already willing to fuck you? God, I miss Herschell! 4/10
10. And finally, Antrum (2018). One of, if not the last great horror film of the 2010's. At least in my humble opinion. To me, Antrum is a return to quality not seen in a very long time. Something the genre has been striving for all decade long. The 2010's will most likely be remembered as the era of throwbacks. An era when people finally realized that the best Horror films are long behind us. However, the key to a successful throwback doesn't always lie merely in fake graininess and a story set in the 70's or 80's. Perhaps it takes something a little more subtle. Something not quite so easy to describe or even to point out. I believe Antrum has not only done it right, but is also a success as a genuinely scary film. And I believe that success is due to a successful aura of mystery. That's what I think the new shit is lacking: Mystery! Antrum feels exactly like what it pretends to be: A lost film connected to a deadly legend. A legend explained in a mockumentary which is now attached to the beginning of the once-lost film. Explaining why Antrum is the deadliest film ever made.
This is just so beautifully dark! That's what I notice first and love the most about Antrum. Aside from dark subject matter, just the whole look of this film is dark. Or dim, rather. From the beginning, it seems as though something is not quite right here. Antrum tells the story of characters we never become aquainted with: A heartbroken little boy whose dog has been euthanized. Nathan asks his mother if his dog is in Heaven. Mother coldly shoots that down, implying he is now in Hell. Traumatized as well as heartbroken, the boy starts experiencing nightmares and visions. Nathan's sister, Oralee, comes up with a plan to help. Oralee takes Nathan to a nearby forest with a rather dark history. Oralee claims that somewhere in this forest, Lucifer landed after being cast out of Heaven. If the exact spot can be located, then, they have found the place they need to start digging so they can find their dog's soul and set it free from Hell. All of this can supposedly be made possible by a book on the occult Oralee has recently aquirred. Of course, Nathan's sweet sister made it herself, as the entire thing is made up, but only to help. However, the more they dig, the darker it all gets, as if Hell is coming to them instead of the other way around. Going into further detail would be pointless. One has to see for themselves how it all plays out to appreciate the level of creepiness this film has going on. Well done, 2010's! 8/10
Interesting. I don't believe I've ever heard the name "Oralee" before. Then again, I wasn't aware you could marry your third cousin or remedy loneliness by eating thumb tacks either. It's been an educational year all around, hasn't it? I've gotten enough "trashucation" for a top 100, to be honest. But what are some highlights that didn't make the cut, you ask? Well, there's that interesting crime drama from Blumhouse, called The Lie (2018). There was this Twilight Zone-esque sci-fi/mystery, The Fare (2018). That one almost became #7. And for any Giallo enthusiasts who haven't had the pleasure, The Corruption Of Chris Miller (1973) is a damn fine Spanish Giallo. Oh, and I came across one of the most incoherent and confusing SOVs in existence, called The Heaping Bouncy Breasts That Smothered a Midget (1988). An unbelievable attempt at something. If Youtube hadn't removed it before I could get a (necessary) re-watch, I would have included it. A regret I now have to live with as the new year is upon us. A year that we can only hope isn't so fucked that we are forced into watching far more movies than normal.
#Review
And what a fantastic year to make some cinematic discoveries! They can make us not do a lot of things during a pandemic, but obsessively searching streaming services for random movies at 2 A.M. is not one of them... at least not yet. It's been a dark time, an uncertain time on many levels. A time, if one can, to distract oneself from the harsh realities of the real world and the fake news. Today is the day we're going to take a look at my top ten something or other. Not exactly my ten favorites, per se. Mainly the ones that left an impression, and few that surprised me. They're not all trashy, and they're certainly not all good. However, as you will see, my 2020 was far from uneventful.
1. I got to start out with a bad one. One of, if not the most inept shot-on-video horrors I've come across in recent years. Not to say it's anywhere near the worst, but wow! This one got some issues. And somehow, I went until this year without ever even hearing about Fatal Possession (1995). Not since my discovery of Criminally Insane have I started a bad movie, and within 5 minutes, asked the question "Where have you been all my life?". Or most of it, in this case. Who cares? I have found thee and am forever grateful someone created you. That someone's name is Adeeb Barsoum, and, as I had suspected, Fatal Possession makes up 100% of his "film career". And wouldn't you know, this mystery man of many talents also wrote, produced, shot and edited this abomination. It's easy to believe Mr. Barsoum had never seen any other SOV before this, and possibly never knew they were a thing. Just a feeling I get. It just feels like more of a light-hearted sitcom than anything. I get sort of a Growing Pains vibe from this one. One thing is clear: This Adeeb guy really wanted to make a movie about Egyptian... stuff? Hey, maybe there's some Blood Feast inspiration in here somewhere. In fact, the acting is pretty much right there in HGL territory. Actually, I'm being kind. It's a lot closer to something like Birdemic or The Room. So, a girl named Ann is possessed (off and on?) by some Egyptian Queen, and has been for years, it seems. Some other spirit talks to her a lot and tells her to do shit through what sounds like an intercom. She gets out of bed a lot and wanders around outside during what it supposed to be night, but is really a blue filter on the camera lens. That's pretty fun. Ann seems to have some positive, supportive friends. They all say, "oh, cool" a lot and seem like some super well-adjusted teens who just want to have a good time. The group recently added a new friend, Nancy, who is a bit too interested in Ann's issues, and may soon prove to be a problem. Not the easiest premise in the world to follow or to describe, but premise be damned. This is all about some amazingly bad execution and an apparent obliviousness to how humans behave. The one dimensional, basic characters with their teeny bopper dialogue gave me quite the laugh worthy of many rewatches to come. 4/10 2. And now for something far, far more professional, yet somehow even weirder. Recently, I watched a movie called Swallow (2019). This one revolves around real-life subject matter I don't think I was even aware of. Apparently, some people really enjoy eating the inedible. Or swallowing things. just things. Though Swallow is also about much more than just that. Swallow seems to be more so about strange compulsions, in general, and what might make a person cling to one they were seemingly long past. Feeling unappreciated, repressed, invisible. Maybe feeling all that wouldn't make just anyone eat a bunch of random shit, but for a pregnant housewife who thinks she found the man/life of her dreams, yet has tons of repressed issues, well, hell. Maybe it's time to just eat some dirt! Hunter is a mousy little woman. Quiet and polite enough to come off a little sad. Or maybe she's just shy. Whatever it is, she has married into the wrong family. Hunter is very wrapped up in pleasing her husband, Richie. She wants to be perfect for him, which is convenient because it seems to be expected. Such a nice house, so many nice things, no real problems. However, this girl isn't into this life at all. Hunter is trying to pretend hard enough to just make it true. Maybe if there was a little warmth in this house, maybe if Richie could just show that he cares about something besides work or his appearance. Ever see American Psycho? Richie isn't insane or anything, but as far as being a superficial douche, it's a fair comparison. However, Richie isn't as funny or as charismatic. Richie's controlling parents aren't making things any easier as they are obviously the source of the problem. Hunter is miserable, but nobody seems to care enough to notice. It may be time to resort to the one thing she knows will guarantee relief. Time to eat a marble. This escalates to many unusual things being consumed, which genuinely takes the edge off this shitty life. Once Hunter's secret is out, we then see what this marriage is all about. Swallow is, by far, one of the most interesting things I've seen all year. Classy yet extremely odd. It'll really suck you in... so to speak. 6/10 3. How 'bout a western? I've actually discovered several decent ones this year. One in particular from exploitation filmmaker, Al Adamson. Director of Brain Of Blood, as well as several uninteresting horror and biker flicks from the 60's and 70's. It's been a while since I've given one of Adam's films a shot, and I'm glad I did because Jessi's Girls (1975) really did it for me. An exploitation western which would also be fair to describe as a rape-revenge flick. This story is about a Mormon couple who are heading out west to start a life together. Oblivious to the evils of the world, Seth and Jessica Hartwell are about to be made aware of just how evil this world can be. So close to their new life, yet so far, the Hartwells just happen to run into a gang of shitheels that have no intention of letting them pass unscathed. Unfortunately, these guys don't take it easy on those without much to steal. All the couple has to spare is their lives and the wife's vagina. So, Jessica is raped and both are shot and left for dead. However, one of them manages to survive... Jessica lives. However, the life she had before her has vanished, and the person she was to become, now impossible. Evil destroyed who she was. Once Jessica heals up and gets it together, it becomes evident that hate now lives in her heart. And that hate will no doubt grow until vengeance is fulfilled. While exhausted, driven half crazy and starved, Jessica comes across this Grizzly Adams-type character who helps her out, offers a little advice, and after a little coaxing, teaches her how to shoot like a pro. And as you might have guessed, this girl is a natural. Once prepared, Jessica knows she can't do what she needs to do all by her self, so, she now sets out to find some partners in crime. Jessica shoots a couple of cops who are taking some unruly ladies to jail, earning her loyalty from the would-be prisoners. Now ring leader, Jessica convinces them all that offering their services will be well-rewarded as her targets have money to steal. Nobody has anything to lose but everything to gain. What a damn fine movie! Maybe it's not always a great idea to dismiss someone as a shitty filmmaker if you haven't seen their entire filmography. You never know what you might have overlooked. 7/10 4. Ok, hear me out! I get it. Child's Play didn't need a remake. I'm not saying it should have happened, but did you see that Cabin Fever remake? Elm Street anybody? I mean, come on! It gets much worse than this harmless little thing. I got respect for this one because it's totally its own thing, not trying to recreate anything. In fact, I'd be willing to bet, most people who hate this probably wouldn't if it was called anything else. The story is kept far away from Charles Lee Ray and pals, and I think that was a positive. Maybe, in time, people will see that this one means them no harm. Child's Play (2019) is a less dark, more clever take on the killer doll story. No killer, no voodoo shit. This is more of a "technology gone wrong" situation. It's not exactly clear what has gone wrong at first, but it's definitely technology-related. One thing this re-imagining does have is an Andy Barclay. A few years older than the little kid from the original, so, he gets to work with more complex dialogue. Last year, Andy wanted one of those new Buddi dolls but never got one. His mother finally managed to swing it, but he's not into that anymore. After some convincing, Andy gives his new toy/friend a shot. These interactive machines can be programmed to not only control all the devices in the house but also be your BFF. For some reason, this doll insists on calling itself Chucky, and that's ok. Andy has little patience for this thing, and is kind of creeped out by it, which is portrayed quite comedically. Qualities like this is what really sets this apart from the other movies, I think. As Andy gets used to his uncomfortably dedicated new pal, he soon learns that he must be careful of what he says and how he says it when around this thing, which is constantly. Like for example, when the cat scratches him, or when his mom's boyfriend pisses him off. This advanced machine understands a lot of things, but right and wrong and figures of speech, not so much. Chucky's friendship with Andy is the only right, and people hurting Andy is the only wrong. And those who fuck with his "friend till the end" must be dealt with. Despite getting a little attached to this thing, Andy knows what must be done, which, of course, makes things much worse. So, yeah, I said it. It's a good movie! I know this gets put in the same category with all the shitty remakes, but I just don't see it. 5/10 5. Despite having an interest, I've never made it a point to delve too deeply into the world of adult animation. I've always known there is a lot of fascinating, thought-provoking stuff out there, and most of it seems to come from elsewhere (outside the U.S.). And aside from that, the ones I personally gravitate toward almost always comes from way, way back. Like mostly pre-80's as I find old school animation more appealing. Like the films of Ralph Bakshi, for a rare American example. Or films like Fantastic Planet, which might very well be my all-time favorite animated film. Anyone who is into trippy shit, or just something extra unique or unusual, needs that one in their life asap. It wasn't until this year that I made it a point to look up director, René Laloux's filmography, and found something almost as fascinating: A similar, yet more coherently told movie, called Time Masters (1982). Along with a tone similar to Fantastic Planet, This French Sci-fi-Fantasy epic feels a little closer to something like Heavy Metal at the same time. And since this film came out a year later, I can only assume this was intentional. So, on the planet of Perdide, this family has been attacked by giant murder hornets. The mother, killed, and the surviving father and son have crashed their vehicle. The father isn't going to make it. Realizing his son's safety is all that matters now, the father gives Piel a little machine which serves as a walkie talkie of sorts. Some time ago, Peil's father gave an identical device to an old friend in case there was ever an emergency. Moments before death, the dying father leaves an urgent message to Jaffar to find and rescue his son from the dangers of this planet. Unfortunately, Jaffar is light years away, taking care of his own business involving the transportation of a couple of fugitives. However, plans now must change as Jaffar tries his best to direct Piel to safety while shielding him from the harsh realities of the situation. Piel is too young to grasp all that has happpened. In fact, he believes this "talking device" to be a conscious machine that can communicate on its own. No matter because as long as Piel follows instructions, he should make it out of this alive. An intriguing story leading to a pretty fascinating twist involving time travel. Yet another obscurity worth tracking down. 7/10 6. A while back, I came across one racial-tension ice breaker of a comedy that I know I've heard of before, called Watermelon Man (1970). And I can totally see a movie like this being somewhat helpful in this era, if viewed with a healthy perspective, of course. Racism is no fun, and from what I hear, it was far less fun way back when. One day, things start going in the right direction, but obviously things can't just be fixed over night, so, why not have some movies (and sitcoms, of course) poking fun at racism? Could be fun. Could even be beneficial. I think that's exactly what American society needed in 1970: A movie about a white racist whose life turns to total shit because, for some unexplained reason, he wakes up black one morning. An issue that may not sound like much of an issue to most of us these days, but people just randomly turning black 50 years ago? I can see how it could be alarming to some who ain't "with it". First, let me point out that the guy who starts out white is played by the same guy who ends up black, so that was probably for the best. Godfrey Cambridge plays Jeff Gerber: An obnoxious, uncoordinated jackass with very little sense of humor and even less tolerance for the darker race. Jeff, I guess, is supposed to be how the black man sees the white man. Cambridge's portrayal of Jeff is just ridiculous enough to be hilarious, as the clueless fuck stumbles through life, oblivious to himself and the feelings of the people around him. Jeff's wife, Althea, supposedly the less racist of he two, is played by none other than Estelle Parsons, who isn't looking terrible. Parsons and Cambridge are pretty good together, as Althea supports Jeff in his time of need. So, yeah, ok. This guy just wakes up black one morning, and does not take it particularly well. After whining, sobbing and praying doesn't work, Jeff tries out one of the other home remedies for this affliction by bathing in milk. No, this is one issue milk cannot fix either. Jeff is stuck like this and now much direct his energy into acceptance, maybe even optimism. Good luck with that, as he has gone from being seen as a joke to that of a threat. Jeff's colleagues, his neighbors, and ultimately even Althea, reacts less than favorably. Hopefully, Mr. Gerber learns something from all this. Hopefully, a few viewers did too. 5/10 7. And on to what might be the best all around film I've seen this year. People seem to be a bit divided on this one. More so than a similar one I remember watching, called Ex_Machina. This one is called Archive (2020). Like Ex_Machina, this movie focuses on artificial intelligence. However, the story of Archive is something more personal. Maybe a little deeper. This movie is about much more than technological advances. Archive also touches on loss, grief, the emptiness that comes with it, and the desperation to somehow escape it. In the world we know, that is impossible. Only time can heal such wounds. In the future, maybe not. In the year 2038, things, a lot of things could change soon. That is, if a certain scientist is left to do his thing. Somewhere out in an isolated area, scientist George Almore is working on a groundbreaking project, and it seems to be on its way to completion. No one has come quite so close to creating true artificial intelligence. A human-equivalent with feelings, emotions and memories. George is currently working on his third and possibly final prototype. We get to know prototype 1 and 2, who are still hanging around despite being obsolete. The first one is a clunky-looking thing with no real communication skills, while still aware of what is going on around it. The second, a slicker version of the first. Communication skills on par with humans, but slightly less capable of reasoning. #2 has noticed how much time George has been spending with the new one. The new one being far more human-like. #2 also notices how George now spends less time with it. Only a short time ago, things were different, and #2 cannot understand why it has been discarded. This robot is human enough to feel rejection and depression, but George's real agenda is too important for him to be concerned with this thing's "feelings". In this story, the human soul/essence can be temporarily held in a hard drive, and George may have found a way to use this technology to resurrect his deceased wife. #1 and #2 were merely tools to make that happen. #3 just might be the payoff. I'll admit, I felt really bad for prototype #2. Kind of sad, but fascinating most of all. A sci-fi drama that is sure to make one feel as well as think. 8/10 8. And now, on to what is, hands down, my favorite first time viewing of the year. And if I'm not mistaken, this is the only movie I've rated a 10 out of 10. This is the Life And Times Of Grizzly Adams (1974). Literally the only thing I knew about Grizzly Adams before this year was some random reference made in the movie Clerks by Jason Mewes. I just happened to come across this one on Youtube one night, and what a fantastic movie to get high to! I mean, it's definitely some tree hugging hippie shit, but yeah. I'm sold within a couple minutes into this. The movie takes place in 1853, about a man named James Adams who is accused of a murder he didn't commit. And instead of spending his life like a caged animal, Adams escapes into the wilderness, never to be seen again. This is a journey that will have no end. A journey that won't get easier any time soon as loneliness, fatigue, and starvation is inevitable, but adjustments must be made, just the same, because there's no going back. James Adams is on his own on a level he never imagined. Or is he? Adams soon discovers that there isn't a single animal out here that fears him or wants to harm him. Adams will soon make a lifelong friend as he discovers a grizzly cub in trouble whom he helps and takes with him on his journey. A bear he would name Ben, who would never leave his side. Adams also makes friends with an Indian who occasionally appears out of nowhere throughout the movie. As the years roll by, Ben the bear grows as Adams grows older. Together, they travel deeper and deeper into the wilderness, searching for the perfect spot to build a home. The longer Adams is away from civilization, the further he wants to be away from people. Not because he is afraid of getting caught, but because fuck them! It started as an intimidating last resort, but some years later, Grizzly Adams realizes he was meant to be out here, spending his life playing with animals and helping them however he can. As it would turn out, this film is far from the end. The success of this movie actually led to a TV series which went on for 2 seasons. This TV version isn't cannon to the movie, and adds a little humor, which is actually pretty cool. In this version, we got Grizzly Adams pallin' around with cranky old bastard, Denver Pyle, who is comedy gold as well as unrecognizable from his Andy Griffith days. There would have been a third season had actor Dan Haggerty not sold a bunch of coke to an undercover cop, but that's another story. 10/10 9. This year, I finally tracked down one of the only Herschell Gordon Lewis films left that I hadn't seen. For anyone who is familiar with his filmography, you may be aware that the man did far more than just a bunch of gore films. Strangely, those gore films happen to be some of the most normal films he made. The early ones even come off somewhat family-friendly at times, which was most likely to ensure that they actually had a shot at finding an audience. In between those early, wholesome gore films and those latter, trashy ones, ol' Herschell managed to become a jack of all exploitation trades. The man did hixploitation, sexploitation, some porn, a biker flick, kiddie flicks and even some juvenile delinquent films, which were somewhat popular in the 60's. I suppose this next one I'm going to talk about more or less falls under that category. This is The Alley Tramp (1968). In this movie, "the alley tramp" is nothing more than a 16 year old little brat. Marie recently caught an eye full of her parents getting it on and now wants to make things super awkward by becoming a nympho. Eager to get her tender little under aged pussy tore up by anyone she can. Marie starts getting cozy with her third cousin, Philip, who isn't up for it at first, but quickly gives into temptation and lets her have it. The cousins go on to fuck all over the place as Marie's parents express very little issue, even confirming that it's legal for third cousins to marry. Fair enough. And as she gets fucked more and more, Marie becomes more of an arrogant, know-it-all dickhead to her parents. This, of course, all comes to a head when Marie gets it on with her mother's boyfriend. As the empowered Marie taunts her crying mother, it becomes clear this girl needs to be taken down a peg before it's too late. Hopefully, that can happen without an unwanted pregnancy. So, I'm not sure exactly what the point of all this was but it sure was a train wreck. I can't imagine what the moral of this story could possibly be. Don't get greedy and go after your mom's beau if your cousin is already willing to fuck you? God, I miss Herschell! 4/10 10. And finally, Antrum (2018). One of, if not the last great horror film of the 2010's. At least in my humble opinion. To me, Antrum is a return to quality not seen in a very long time. Something the genre has been striving for all decade long. The 2010's will most likely be remembered as the era of throwbacks. An era when people finally realized that the best Horror films are long behind us. However, the key to a successful throwback doesn't always lie merely in fake graininess and a story set in the 70's or 80's. Perhaps it takes something a little more subtle. Something not quite so easy to describe or even to point out. I believe Antrum has not only done it right, but is also a success as a genuinely scary film. And I believe that success is due to a successful aura of mystery. That's what I think the new shit is lacking: Mystery! Antrum feels exactly like what it pretends to be: A lost film connected to a deadly legend. A legend explained in a mockumentary which is now attached to the beginning of the once-lost film. Explaining why Antrum is the deadliest film ever made. This is just so beautifully dark! That's what I notice first and love the most about Antrum. Aside from dark subject matter, just the whole look of this film is dark. Or dim, rather. From the beginning, it seems as though something is not quite right here. Antrum tells the story of characters we never become aquainted with: A heartbroken little boy whose dog has been euthanized. Nathan asks his mother if his dog is in Heaven. Mother coldly shoots that down, implying he is now in Hell. Traumatized as well as heartbroken, the boy starts experiencing nightmares and visions. Nathan's sister, Oralee, comes up with a plan to help. Oralee takes Nathan to a nearby forest with a rather dark history. Oralee claims that somewhere in this forest, Lucifer landed after being cast out of Heaven. If the exact spot can be located, then, they have found the place they need to start digging so they can find their dog's soul and set it free from Hell. All of this can supposedly be made possible by a book on the occult Oralee has recently aquirred. Of course, Nathan's sweet sister made it herself, as the entire thing is made up, but only to help. However, the more they dig, the darker it all gets, as if Hell is coming to them instead of the other way around. Going into further detail would be pointless. One has to see for themselves how it all plays out to appreciate the level of creepiness this film has going on. Well done, 2010's! 8/10Interesting. I don't believe I've ever heard the name "Oralee" before. Then again, I wasn't aware you could marry your third cousin or remedy loneliness by eating thumb tacks either. It's been an educational year all around, hasn't it? I've gotten enough "trashucation" for a top 100, to be honest. But what are some highlights that didn't make the cut, you ask? Well, there's that interesting crime drama from Blumhouse, called The Lie (2018). There was this Twilight Zone-esque sci-fi/mystery, The Fare (2018). That one almost became #7. And for any Giallo enthusiasts who haven't had the pleasure, The Corruption Of Chris Miller (1973) is a damn fine Spanish Giallo. Oh, and I came across one of the most incoherent and confusing SOVs in existence, called The Heaping Bouncy Breasts That Smothered a Midget (1988). An unbelievable attempt at something. If Youtube hadn't removed it before I could get a (necessary) re-watch, I would have included it. A regret I now have to live with as the new year is upon us. A year that we can only hope isn't so fucked that we are forced into watching far more movies than normal.
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?
Freaky (2020)
Christopher Landon's Happy Death Day was a lot of fun. It took old concepts and mashed them together into something that was surprisingly enjoyable. The sequel was a bit of a convoluted mess that already insisted in retreading the same ground, only the charm was cut in half in favor of weird sci-fi vibes that didn't really do it for me. This time, he took the old body swap concept and applied it slashers, and somehow he managed to get Vince Vaughn to step into the shoes of a slasheragain (well, Psycho 1998 doesn't exist 😐).
The mood is very similar to the aforementioned films. The plot and victims are entirely predictable, but what are we expecting? Aren't slasher films supposed to be that way? We're watching a bunch of recycled plot devices after all, full of all the cliches you can think of. Dumb jocks, gay best friends, high school bullies and bitches, etc. We're not watching this for them though. We're watching it because we want to see Vince Vaughn as a masked serial killer. For a few minutes anyway. Then we're watching it because we want to see him act like a teenage girl. And unlike the other films, this one is actually rated R, so we get a few decent kills in there, but being that it's so mainstream, they opted out of any nudity or true grit, but oh well. There's enough suggestive content to make up for it.
I wont go into much more detail, but you can tell Vince had a lot of fun with the movie. I think I might have liked the movie better if there weren't any supernatural twists and he was just killing people as himself. How often do you get A-listers to step off of their high horse to play a slasher villain? Basically never, so this is a treat.
There are a few laughs, but some of the scenes are cringe-worthy. Like the awkward drawn-out dressing room scene where people are far too candid with "strangers". Also, the movie features Alan Ruck as an irritable shop teacher who simply hates our shy and meek protagonist. Like really, he fucking hates her guts for some reason and wants to see her fail at life. Hmm... okay?
And one last question... why do high school athletics need a cryo freezer? Is that a thing now? And why is it a thing?
#Review
Christopher Landon's Happy Death Day was a lot of fun. It took old concepts and mashed them together into something that was surprisingly enjoyable. The sequel was a bit of a convoluted mess that already insisted in retreading the same ground, only the charm was cut in half in favor of weird sci-fi vibes that didn't really do it for me. This time, he took the old body swap concept and applied it slashers, and somehow he managed to get Vince Vaughn to step into the shoes of a slasher
The mood is very similar to the aforementioned films. The plot and victims are entirely predictable, but what are we expecting? Aren't slasher films supposed to be that way? We're watching a bunch of recycled plot devices after all, full of all the cliches you can think of. Dumb jocks, gay best friends, high school bullies and bitches, etc. We're not watching this for them though. We're watching it because we want to see Vince Vaughn as a masked serial killer. For a few minutes anyway. Then we're watching it because we want to see him act like a teenage girl. And unlike the other films, this one is actually rated R, so we get a few decent kills in there, but being that it's so mainstream, they opted out of any nudity or true grit, but oh well. There's enough suggestive content to make up for it.
I wont go into much more detail, but you can tell Vince had a lot of fun with the movie. I think I might have liked the movie better if there weren't any supernatural twists and he was just killing people as himself. How often do you get A-listers to step off of their high horse to play a slasher villain? Basically never, so this is a treat.
There are a few laughs, but some of the scenes are cringe-worthy. Like the awkward drawn-out dressing room scene where people are far too candid with "strangers". Also, the movie features Alan Ruck as an irritable shop teacher who simply hates our shy and meek protagonist. Like really, he fucking hates her guts for some reason and wants to see her fail at life. Hmm... okay?
And one last question... why do high school athletics need a cryo freezer? Is that a thing now? And why is it a thing?
#Review
✖️ 📝 Reply to Post
✖️ 🔁 Repost
What would you like to do with this post?