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Slay Belles (2018)

...and blood covered boobies. Dread Central gives us this Christmas/Krampus horror flick, which should tell you right away that there will be a strong emphasis on gore, comedy, and shitty cliches to represent all the reasons why non-horror fans dismiss the genre for being stupid and lazy. This is Slay Belles, and I'm still not sure why there's an extra 'e' in "Belles". emoticon

Our story is pretty thin, featuring three cosplay girls who go into a rundown Santa-themed amusement park for some social media material, only to run into the malevolent Krampus and the jolly old (biker) Santa, fortunately played by Barry Bostwick to keep this movie at least somewhat entertaining.

The main girls are Alexi (Kristina Klebe, who seems to have a thing for holiday horror), Dahlia, and Sadie (who's apparently an actual cosplay/influencer Hannah Minx), and these girls are written as paper-thin characters, but at least they like to showcase their boobs, because what else have they got going for them?

For a movie executive produced by Darren Lynn Bousman, you would expect more gore, on-screen kills, and maybe just a tiny bit more nudity, but nope. The budget for this turkey must have been pretty low if none of that could be accomplished, but whatever. You can tell right away that this movie is going to be dumb as shit, and if you expect anything else from a Barry Bostwick movie, you better get the fuck out of here.

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Fatman (2020)

It's getting harder to have a merry Christmas with kids acting the way they do. It used to be easy. He used to be an optimist, but he's got enough scars to question his faith in this holiday season.

The economy makes it hard to make ends meet, but still, he goes on with his duties because the few that appreciate his efforts make it all worthwhile for him. Of course, some people are bound to be let down because they haven't been very nice. No, they haven't been very nice at all, and the only way to make up for their lack of holiday cheer is to take it out on somebody... It's time to murder Santa Claus.

This bizarre gritty take of old Saint Nick features Mel Gibson in the titular role, because his beard is enough to justify this casting. Walton Goggins is the man sent out to put an end to this festive holiday because he's not only getting paid, but he has a personal vendetta to settle with Chris Cringle, because Santa never gave him what he truly wanted, and so he must die!


The trailer gives away the whole plot progression, but I couldn't care less since this movie has the Gibson and the Goggins. They steal every scene they're in, and when they're both on screen, your head might explode. Give it a watch.

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Jack Frost (1997)

This is a movie that, much like Ice Cream Man 1995, is one that I thought would have been terrible and had avoided for most of my life. It turned out I was wrong. Again.

The premise is dumb as hell, but the execution is lot of fun. Our serial killer embodied in a snowman has snow-related powers and kills people in ways that start off seeming like accidental deaths, but he quickly progresses to some of those creative slasher kills we were all waiting for.

For the most part, you don't see much of him because it would be too ridiculous. He remains statuesque for ambiguity/budgetary reasons, and when he does move, you realize why they tried to hide him so much. Also, the poster art features a random evil snowman. Jack Frost never looks anything like that, which is probably for the best.

However, the movie has a small town element to it to keep us distracted from the absurdity. Regular citizens with real problems and real kicks, though we primarily follow the sheriff as he tries to keep his family and his town safe from the evil killer snowman. Somehow, it's quite entertaining.

Random IMDb Trivia:

Shannon Elizabeth's first acting role in a movie and her first nude scene. She filmed this before she got the breast implants she reveals in American Pie (1999).

One actor who read for the role of Jack Frost pulled a knife at his audition.

This film was initially going to be directed by Renny Harlin, with a $30 million budget.


And to paraphrase one trivia, there was an improv rape scene. Yes, that is correct. This movie features a rapist snowman.

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And... Sorority House Massacre II

Znep wasn't kidding. This movie has a lot of boobs and it's 10 times better than the first... on account of the boobs. Jim Wynorski seemed to be pretty fond of them, and what a gratuitous thing that can be. Also fun fact, this movie was produced in a week, and ol' Jim never saw the first movie.

With that said, this movie has nothing to do with the last movie. They threw all that psychic-drama and backstory away to put five busty college girls into a separate sorority house with its own massacre history... a history of a parallel Slumber Party Massacre.

The story is relayed to them by the greasy neighbor Orville Ketchum, played by the dude in Freddy's Dead who wanted some sugar from his daughter. The scene he describes uses footage from Slumber Party Massacre, jumping into a few kill scenes after deeming those characters members of the killer's family. It's weird for a flashback to tell me a different story than what I'm used to.

So anyway... that creep finishes his story and leaves the babes in peace so they can party, only after having spooked them, of course. Naturally, they turn to the ouija board, but forget about that for now. What happens at this point is that these wonderful women strip down to their undies and explore the house whilst bouncing around with their nipples poking through.



Part of me wants to leave this review at that, but I suppose I should go on to talk about the actual slasher elements. Our killer is already poised to be dead and buried by the time this movie starts, so someone is here to pick off the girls one by one, but who? The kills are vague for ambiguity, though our killer uses a hook like the fisherman or candyman (but before both) and in the end... the balance of shitty b-horror tropes, charm, and titties is ample.

I'd probably rank this one a touch higher than the first one, but they're both good for separate reasons. This sequel is more cheesy whereas the first is more serious. And on a final note... Orville Ketchum is a great character. I got a lot of laughs out of him. Laughs that kept coming back.

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Sorority House Massacre 1986

This one doesn't get talked about much, but for a 4.5 slasher in the ideal decade for it, the movie ain't bad at all.

The film draws heavily from Halloween. The Los Angeles filming locations had me verifying that this wasn't the same suburban neighborhood, but it must be close. It also features a character named "Laura" who has some psychotic family issues, our killer is an escaped nutjob Myers clone without a mask, and he's after a group of young kids who can't seem to yell loud enough for their neighbors to give a damn. Plus there's even a character named Linda, as well as a few shots that parallel Halloween.

Let's not stop there though. Whenever you rip-off Michael Myers, you usually rip-off a bit of Terminator too, and this gave those vibes as well. Besides the fact that both of these antagonists steal a station wagon in their first film, our guy in this one does that too, and he even parks on a toy truck for good measure. He doesn't stop there though, as he also goes into a hunting store, takes a knife, and kills the owner with it.

Those vibes came to mind quite immediately during my viewing, but this movie has something that those movies don't: psychics! Throughout the story, you'll see a few tidbits about psychic links and other phenomena that are utilized mostly to make the flashbacks more contemporary.

When you mix two of the greatest movies ever made, you'll usually get a decent romp out of it, and this is no exception. Besides a somewhat cheap camera, there's a decent effort put into this movie (same can be said about another turkey I watched last night, Killer Workout, which has some great fight choreography).

For a short movie at 74 minutes, this movie doesn't waste time and skimp out. There are plenty of chase scenes and good kills. I'd recommend it for 80s slasher completionists.

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Terror in Beverly Hills (1989)

Because all the best things happen in Beverly Hills. Beverly Hills 90210, Beverly Hills Cop 3, Beverly Hills Chihuahua...



I was looking for a real piece of shit to watch, and this turkey jumped in front of me. Terror in Beverly Hills is a low-budget "action" movie starring Stallone. That's right, Frank Stallone plays our "bad-ass", even though this guy is only in the movie for 20 minutes it seems, and even then, he doesn't do much.

The plot is similar to Escape from New York in a way. A middle-eastern terrorist comes to the United States to kidnap the president's daughter and he takes her to Beverly Hills, because why not? Only one man can stop him... Ex-special forces karate master Hack Stone.


Yeah, I know what you're thinking. This movie sounds like it should be awesome, but let me tell you why it fails hard enough to have a 3.3 on imdb: it's super fucking boring.

Half of this movie is simply the terrorist getting through airport security and getting to the states just to make his damn point, because the scenes are more drawn out than they need to be. If the pacing were as tight as it should be, this movie would be 30 minutes.


I suppose my biggest problem with Hack Stone is that he really is a hack. This Stallone doesn't exhibit any of the charm of his brother. You'd think that Sylvester would have given him some tips on how to make a good action movie, but nope. Frank is on his own in this one, and he forgot to put the action in the movie.

And when there is action in the movie, the guns tend not to fire, but rather the guy shooting simply pretends to recoil. It's okay ma, these are just a bunch of big kids play fighting. And when Hack Stone confronts the guy for a final showdown, it's just a bunch of punches to head, back and forth, and really sweaty... CUT TO... we're not sweaty anymore, and we're abruptly ending this movie because we've already shot up a door and broken a window, so our budget is gone gone gone.


In the end, this movie was surprising in how much one Stallone can excel and how another can miss the mark completely. Hack Stone is a hack, he didn't do anything cool in the movie that he was barely in.

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Porky's II: The One without Porky

To clarify, this one isn't a turkey... but the next one is!

As the film's actual subtitle implies, this movie is set "The Next Day" after terrorizing Porky's bar out in the swamps, as well as getting Pee Wee laid. We have the same crew and the same sex-fueled hijinks, and most of them are still plenty amusing. I got a lot of good laughs out of the first movie, and almost as many this time.

I love the improv parts of certain scenes though. My favorite is when they're doing the whole graveyard act and the dancer lady "dies" and the boys struggle not to laugh through Peewee's hysterics as they convince him he killed her with his libido. But he's got a new love interest who snags her fair share of screentime, most notably in a scene acting as a big busted obnoxious "teen" in a fancy restaurant as she extorts a crooked politician.

A movie like this isn't high on narrative, but rather a loose narrative tied together by a series of jokes. In this overall narrative that ignores Porky entirely, our heroes find themselves interested in acting in the school play. However, when a native american scores the lead (this was set in the 50s mind you), this Shakespearean play becomes blasphemy and must be stopped!

One thing I enjoyed was an appearance by Anthony Pena as the native's family member (brother?), because his appearance dictates strong indian vibes, kna'am sayin? This movie deals with a few racist topics, mostly about the ku klux klan harrassing the native locals, but this movie is a comedy, and that means that our villains are always inept.

Before I wrap this up, I'd like to point out that the "next day" monicker is only partial, as the film continues at least another day or so after the intial next day. So these guy's are having crazy wild adventures literally all of the time. Due to the exaggerated lifestyle, I'd like to compare this sequential setup to Wet Hot American Summer, which I'm sure was inspired by the Porky films.

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Bland Ambition: The History Of Eating Raoul

image

What happens when those who just want to be left alone to live their lives finally reach their breaking point? What happens when the meek simply has too much going on that they finally lose all patience for people's bullshit? Right, probably not a hell of a lot. That's what makes them meek. Then there's this married couple who lives out in Hollywood, which is just no place for such mild-mannered people to be happy, and it seems as though they are starting to realize it. Maybe they've lived there too long. Maybe they've been married too long. Point is, these are not happy people with their lives as is. This right here is the type you need to watch out for once they've "had it up to here". This is the story of a massacre that nobody talks about. A massacre that may or may not have been deserved, depending on who you ask. This is the story of Eating Raoul.

image Paul and Mary Bland are about as conservative and straight-laced as a married couple gets, at least in this neck of the woods. Paul and Mary have big plans to get away from Hollywood as soon as they can save up enough money to start their own Restaurant out in the country. "Paul And Mary's Country Kitchen", they'll call it. However, saving up for this business is easier said than done with such outrageous bills and Mary's low-paying nurse job. And Paul recently getting canned doesn't help. The normal pressures of life is one thing, but these two have just about reached the end of their rope with the local swingers always hanging around their apartment building. A bunch of degenerate perverts with no respect for anyone's personal space, whose mere presence often freaks out the Blands. Perhaps they misunderstand these types a bit, but as we all know, people tend to fear what they don't understand. And one thing the Blands don't understand is people who like to fuck.

image One night, right before an important dinner guest arrives, an unusually pushy swinger from a near by party barges in the Bland's home, looking to more or less rape Mary. Long story short, this cock sure swinger gets a frying pan to the skull, killing him instantly. Paul didn't mean to kill the drunk idiot, but there he is. A corpse is now laying in the middle of the Bland's kitchen and their guest now knocks at the door. Strangely, Paul and Mary aren't exactly traumatized by what just happened. They're way too worried about what the hell their next move is going to be because it needs to happen now. Whatever that is, they'll be doing a little better financially, as Paul just found hundreds of dollars in the corpses wallet. So, this isn't necessarily a bad thing.

image The Blands actually had a shockingly easy time solving this problem with the corpse. After a few more run-ins with some swingers, including another self-defense/murder/payoff, this otherwise passive couple start thinking. Since these apparent sub-human's lives absolutely do not matter at all, why not find a way to kill them regularly? I mean, since they seem to be loaded and all. Charge them out the ass and then take whatever else they have after they're dead. So, Paul and Mary put an ad in the paper, offering role playing services to swingers, or basically anyone who wants to get it on, I guess. There is, of course, no intent of things getting too out of hand, but with Mary getting them all hard and distracted, Paul could easily slip in and bash their skulls in with the frying pan. It's not like it's real murder either because fuck them. And hey! Mo Money!

image And without a second thought or one bit of self-awareness, the Blands totally do this. Making a killing off the blood of the not-so innocent. Things go smoothly enough until the Blands get mixed-up with a guy named Raoul who worms his way into their little operation. At first, Raoul makes things more professional and profitable, but soon sets his sights on Mary, whose legs are easier to pry open than one would think. Mary isn't particularly fond of Raoul, but has no problem smoking up his pot. Raoul soon falls for Mary and quickly decides Paul must go, as he is the only thing standing in Raoul's way of not only the woman he loves, but much more money. Paul catches on to this, and has a few tricks up his sleeve, as he tries everything from tricking Raoul into thinking he's going to get deported to drugging him impotent. It was a nice arrangement while it lasted, but it soon becomes apparent that someone isn't going to make it out of this alive.

image I'm pretty sure this is what they call a dark comedy. Not the darkest of the dark, but in my book, one of the best of its kind. The darkness is subtle and the story just a little detached from reality in sort of a John Waters kind of way. Directed by and starring Private Parts director, Paul Bartel, along with Mary Woronov of Silent Night Bloody Night fame. These two, as awkward of a married couple as they made, were really great together in this. Paul was a little more convincing as the "stuffy, buttoned-down type", but that's not a knock on Mary's acting ability by any means. Paul Bartel just looks like a big, gawky fuck who would faint at the sight of a wet cooter. I'm sure he knew this because why else would he cast himself in a role such as this? Mary Woronov, on the other hand. This was definitely a unique role for her, as some of the others I've seen her in we're quite different (see Sugar Cookies). Robert Beltran plays the slippery and greedy Raoul, who certainly pulls his weight as well.

Most everyone else in this movie is borderline goofy because, for a dark comedy, things never seem all that far-off from slapstick. I, personally, would have toned that aspect down a bit had this been my movie, but it's not so bad. With several comically dark turns taken in this story, a little silliness isn't hard to overlook. What is also not hard to overlook is cold-blooded murder by the two sheltered main characters, who are only slightly phased by the thought of getting caught. Paul and Mary Bland aren't fucking around anymore. They're getting that Restaurant if they have to murder every disease-ridden swinger in Hollywood. In their minds, this is all justified simply because they are super annoyed with these people. Well, that and money that they somehow believe they are owed. This is mainly the story of two intolerant hypocrites. However, this is also the story of two people who will let nothing and nobody get in the way of their dreams. 5/10

image

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The Gate II (1990)

I remember hearing a lot of positive things about The Gate, but walking away from it mostly apathetic. Due to a lack of choices, I gave the sequel a try, and the result wasn't too appauling.

Our protagonist is one of the kids from the first movie who can't seem to let the experience go. He holds a demonic seance to revisit the "other side" and ends up meeting a bully, his toadie, and the overly invested girlfriend played by Pamela Adlon (as Pamela Segall).

She sure was a cutie back then, wasn't she? What's funny about this is that she's romantically interested in our progatonist, and this dude is a fucking nerd. By no means is he a leading man, but he's been shoe-horned into that position and this movie feels awkward because of it. She seems to eat up everything this guy says or does, and he isn't charming in the least.

The plot kicks in pretty quickly when the seance brings a little minion (not the yellow fucks from Disney, but a little imp) to our world and on-and-off capture and fight the little thing in exchange for wishes that tend to go bad. The animation effects are still pretty cool, often stop-motion, but there could stand to be a few more fo them.

The movie never does anything too dramatic and is definitely not worthy of an R-rating. It tries to pack a punch at the end, but the "punch" is completely ineffective and negated to keep this movie a somewhat light-hearted turd.

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Ice Cream Man is a trash epic

This movie has been mentioned lately, so I figured I'd bite the bullet. It looked dumb as shit, which I'm usually into, but perhaps it looked dumb in the wrong way? Then again, perhaps I was being dumb as shit, because this movie is basically perfect trash.

Clint Howard overracts his way into our hearts as a deranged ice cream vendor who is released from a mental hospital after watching an ice cream man gunned down in a drive-by shooting. Now, this hospital's idea of therapy is to inject an entire pint of green liquid directing into the skull to make sure that there are no bad days. Only happy days. This must have been a reference to Clint's brother who was in that show, and this line is repeated throughout.

So how does a movie like this play out? Well, we follow a group of kids who like ice cream. They get it quite a few times throughout the movie, even though this vendor is awkward as fuck and really sloppy with the way he handles his food. This dude uses his bare fingers to serve dripping melting mush to people and they all love it. He even puts eyeballs into one guy's cone and the dude doesn't even notice, even after chewing on the strangely mushy item for several seconds. Also, this guy is supposed to be a detective, but he can't detect worth a shit.

This movie has a surprisingly great cast with Olivia Hussey as his former nurse who really likes old Clint, regardless of how much of a sloppy creep he is. David Naughton plays one of the kid's fathers, as does David Warner. There are also two detectives searching for the missing children, and while they investigate throughout the entire film, they ultimately accomplish nothing. One of them is even played by Jan Michael Vincent, who seems to not give a shit about anything that's happening in this entire movie.

The vibes are great, and there are some surprisingly good severed heads throughout. The effects are a lot of fun, and there's a general sense of stupidity through the whole thing that makes it quite entertaining.

The asshole older brother has a girlfriend whose nips steal the show, and one of the junior protagonists Heather grew up to be a total babe. How does a movie as stupid as this turn out to be so great? Well, it's all about the ingredients. Put in a little milk, cream, eyeballs, ground up dog, inept detectives, a mental institution, good actors, bad actors, and some stupid dialogue and what do you get? A trash epic.

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