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The tit patrol, that's who! * ๐ŸŒ โš ๏ธ NSFW
Mary Jane: A Drugsploitation Abomination

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One thing is for sure. When you find yourself watching an anti-marijuana drama, and at some point, one of the characters tastes some pot after buying a batch just to see if it's the good shit or not, then, you know you've found something worth watching. A film called Mary Jane was made in the late 60's. A time when America was just starting to become less and less anti-marijuana, as well as less likely to fall for obvious bullshit. So, you can already tell Mary Jane never had a hell of a lot going for it. Today, this film might appeal to those of us who love a bad, cheesy movie, but such a film with so little self awareness had very little purpose when originally released. But having a soft spot for pointless and underseen little films like this, I just got to throw this out there. So, today, we're going to talk about Mary Jane.

image First of all, Fabian is in it. Now, I'm not sure what this guy's deal was. I mean, he was in a lot of movies in the 60's, but it's unclear to me as to why he doesn't have a last name. Was he a massive star like Madonna or Prince? Considering Mary Jane is part of his filmography, I highly doubt it. But he seems okay. In Mary Jane, Fabian plays young teacher, Phil Blake. A nice guy who actually wants to be a friend to his students. Phil is an art teacher, as well as assistant coach for the football team. On this team, there are several members of a clique of potheads who regularly make trouble. This gang of would be-delinquents is headed by preppy little cocksucker, Jordan Bates, who is very much aware of how much the coach needs him and his burned out pals, and regularly takes advantage of the favortism the coach is forced to show them. However, Jordan and his gang get no favortism from Phil Blake.

image Several things are happening in this film which are all intertwined. First, Lonely Jerry, who recently struck up a friendship with Mr. Blake, wants in Jordan's pothead club more than anything in the world, because he feels like he doesn't fit in anywhere else. Well, Jordan and pals aren't interested in depressed fags, and at first, they tell the kid to shove off. But after discussing it further, they decide to jerk him around for a while, and make him think he has a shot. Making him go through all sorts of "initiations". One member thinks "That would be a ball". I couldn't have said it better myself.

image Secondly, Mr. Blake has his eye on a fellow teacher. A pretty little blonde by the name of Elli Holden. A nice enough woman. She's polite to him, and agrees to hang out. They sort of go out on a day-date. Well, actually, he accompanies her to go visit her dad in a nursing home. She even makes him wait outside. Despite no signals being sent by Elli, Mr. Blake still decides to go for it and makes his move. Not only is he shot down, but Elli is visibly upset, and this pretty much ended the so-called date. As far as we can see, Elli Holden is merely an ice queen. Either way, Mr. Blake's attention would be better served elsewhere.

image Which brings us to the main storyline. The pot has become a big problem in this town, and mainly, with the teenagers at this particular highschool. Their abuse and all around irresponsible behavior is getting out of hand. One girl recently died in a pot-induced car accident, and nobody knows who is supplying this drug that is causing all this trouble. Us viewers knows it's that rotten little sonofabitch, Jordan Bates, but he's got everyone else fooled. Meanwhile, the faculty holds a meeting to figure things out. Teachers are pressured by the police chief to spy on students in order to find out where they're getting their stash from, but Phil Blake speaks out against this method and lives to regret it, as everyone now thinks he's a raging pot addict who is possibly behind all of this.

image As far as silly, anti-pot movies go, this one is actually pretty reasonable in the end. Focusing not so much on the evils of pot, but the fact that teenagers are abusing it and fucking up. Everyone but Phil Blake acts like they're all smoking meth. He admits to the faculty that he smoked it once in college but has no interest in doing it again, but he's immediately made a pariah by the police chief, while nobody has his back out of fear of receiving the same treatment. It seems as if this movie has a deeper message than just the anti-pot thing. It's better to think for yourself and be an individual than a follower and a coward. Be happy with yourself and always do what you feel is right no matter how it makes you look.

Also, I should mention that Jordan's sweet-natured girlfriend, Susan, was played by none other than Patty McCormick. Better known as Rhoda from The Bad Seed. One of my all time favorite Horror movies. She grew up to be a pretty cute chick, I must say. The legendary Terri Garr also graces us with her presence in this, playing a minor role as one of Jordan's followers. Everyone is pretty great in their roles. Especially Fabian as the laid back teacher with integrity who genuinely wants to make a positive difference in young lives. And as I said, This is a very out of place anti-drug movie, and the fact that it never gained an audience is not surprising. But much like it's main character, Mary Jane at least seems to have meant well. 6/10

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#Review
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Ooblah Dooblah, Motherfucker!!

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I've never really been much of a Werewolf fan. I've enjoyed an exclusive few over the years. An American Werewolf In London and Ginger Snaps is just about all I can come up with off the top of my head. At least as far the the more traditional stuff goes. But over the years, there have been some unusual, or just plain weird ones that have caught my eye. Movies like The Rats Are Coming! The Werewolves Are Here!, and the more recent Werewolf In A Women's Prison. Neither all that great, but odd enough to be enjoyable. Much like the film I want to talk about today. And that'd be Werewolves On Wheels from 1971. Not only the bottom of the Werewolf barrel, but the bottom of the biker flick barrel, as well. By the time this film came along, the biker genre was all but dried up, and needed extra shit thrown in to spice things up while the last few dollars were milked out of it. "Shit" meaning Werewolves in this case. And shitty werewolves they certainly were. Come to think of it, the bikers weren't much better.

image "The Devil's Advocates" is what they called themselves. They'd like you to think they be some mean mothers, but in reality, they're merely a bunch of crude, obnoxious drug addicts who kid around with each other ALOT. But like any biker gang, there's power in numbers, so, they have no problem acting tough when necessary. Led by a ruffian named Adam, The Devil's Advocates ride across country, fancying themselves whatever the hell, raising all sorts of hell, but nothing too out of hand, from what I see. One of the members, a psychic/fortune teller type, insists some kind of danger hovers over the gang. The gang decides a nearby Satanic monastery is responsible. They also decide that going there is the best move. In one of many scenes which suggests nobody has any idea of what to do, the gang gets all rowdy with each other outside the monastery, and carried away with their rough housing, not noticing how fucked up it is that they've been surrounded by a bunch of Satanic monks.

image At first, the monks seem ok, showering them all with wine and bread. One of the advocates suggests that all they need now is some dancers. The dancers never show up. And within seconds, The Devil's Advocates all pass out from the wine. Long enough for the monks to kidnap Adam's girlfriend and take her inside to be their sacrifice. Everyone comes to just in time to save her, but while doing so, a curse has been placed upon them. These guys aren't too bright, but bright enough to figure out that something bad just happened. Adam, the alleged brains of the outfit, decides they all need to head out to the desert to get their head straight. Good plan, I could certainly think of worse places to do so.

image As they head out into the desert to hang out and horse around, very few of them are all that concerned any more. A lot of fuckin', drug taking and laughing with seemingly no point intended. However, a couple of them are torn to shreds by a werewolf on the first night. At least one, that is. The next morning, a funeral is had, once the bodies are discovered. With the usual beer and cocaine, of course. They all seem to get over the shock as they walk away. "We can't be goddamn women over these things", claims Adam. Wiser words were never spoken. As the boys have a fun filled day of stealing gas for their sweet rides, and picking on some ornery, old fat man, The Advocates head back to their new favorite hangout to turn over a car which was occupied by Adam and his bitch. Just for laughs, of course. A guy called Movie is torn to shreds that night, which makes the boys even more suspicious that something isn't right. That's three of them dead, now. There's definitely something wrong.

Ok, if this film isn't at least 90% improvised, then, I just don't know what to think. As lazy and possibly non-existent as the script for this movie may be, a bit of realism often shines through the unbelievable mess that is this movie. I mean, it's believable that this is what a bunch of druggie bikers act like when they're out and about, raising hell and whatnot. Most of the movie seems aimless and pointless, and the kills aren't much. But the cheese factor is what Werewolves On Wheels really has going for it. I know. hard to believe, going by the title.

Anyone into 70's schlock would be wise to not overlook this Werewolf-Biker hybrid. The only real downside is that nothing was ever taken all that far. It's pretty tame on all levels, seemingly just for the sake of being tame. There's blood, nudity and profanity, but considering all the unrated/X-rated stuff that was coming out in this era, I expected a little more in those areas. I suspect someone who was financing this film might have been a big old prude. Although, this minor flaw shouldn't be a deal breaker. The fun and stupidity should be enough for a night's entertainment. So, say your "ooblah dooblahs", get high on whatever you can find in your leather jacket, and check out this Werewolf abomination which could only exist in the early 70's. 6/10

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#Review
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Death to False Metal!

I haven't heard much anything about 'Deathgasm' going in, but it turned out to be amusing flick. Set in New Zealand, the film follows high school misfit and metalhead Brodie (Milo Cawthorne) as his mother is sent to an asylum for sucking off a Santa Claus or something while on meth. He is then sent to live with his Christian aunt and uncle and their asshole son. Could life get any more lame?

Brodie quickly meets Zakk at a record store and the two start a band with some D&D nerds, all while Brodie is also crushing on his asshole cousin's girlfriend Medina, who's undeniably attracted to Milo (he is kinda cute, in an awkward metalhead sort of way). So things are looking up for ol' Milo, until Zakk brings him along to steal some supposedly epic metal record from some washed up musician living in a shitty house nearby. The record contains some sheet music that the band, calling themselves 'Deathgasm', unwittingly decide to play. Before you know it, all hell breaks loose. Literally!

The film is like a metalhead's version of Evil Dead in the sense that reading/playing the writings/music of an ancient evil text summons demons that can possess one's soul, and the result usually winds up being excessively gory. Plus, there's a lot of chainsaw action. And axes, both the literal kind and the guitar kind. Throw in a few dicks, dildos, and anal beads and that's what heavy metal is all about. Right?


P.S. And wouldn't you know it, Milo Cawthorne had a small role in Ash vs. Evil Dead! How about that!
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Redemption: The History of Citizen Toxie

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Everybody and their fuckin' mother loves The Toxic Avenger. Troma fan or not, you'd probably be hard up to find a Horor or B-movie fan who doesn't love, or at least have respect for this 80's cult classic. A cult classic which defines the 80's every bit as much as Return Of The Living Dead. On a lower scale, maybe, but equally fun and equally 80's. The Toxic Avenger not only put Troma on the map, but made them a lot of money, and provided opportunities such as cartoons, video games and an endless supply of merchandise. No other movie from Troma has ever or will ever come close to Toxie 1. But with the success comes sequels. Even in Tromaville.

image The Toxic Avenger 2 was inevitable, but I doubt anyone expected (or wanted) a 3 hour movie. Kaufman and Herz went a little overboard with the shot footage, but it was later decided that there was enough of it to make 2 movies. So, in 1989, Troma not only released The Toxic Avenger 2, but part 3, as well. And as a longtime fan of the original, I can't express my disgust and disappointment enough. 2 and 3 were simply awful. These films lacked the grittiness and B-movie charm of Toxie 1, which was replaced with a more whimsical feel, and less gruesome, more cartoonish violence. Plus, the continuity was garbage. Toxie was a good 5 inches shorter, with a younger, more friendly sounding voice. His girlfriend Sarah is now called "claire" and is a dumbass. While totally different, this was obviously from the same people as the original, but obviously different for a reason. With money and success comes compromise. I'd say sponsors frowned upon the violence and certain politically incorrect jokes from Toxie 1, and probably assumed the sequels would be just as successful if it was more kid friendly. Wrong, money hungry cunts!

I guess the first two sequels did okay, but they aren't exactly remembered as high points of Troma's history. After years of churning out mediocre efforts which only flirted with the offensive tone of the original Toxic Avenger, Kaufman and Herz said "to hell with it", and did it right with Tromeo And Juliet in 1996. Still my favorite of all of Lloyd's films. This was a turning point for Troma. After this film, they never looked back. Troma has its core fanbase and that's all it ever needed. And with their next project, Terror Firmer, it became clear that Troma no longer gives a fuck, and has no plans of going away any time soon. The home grown Troma movies from here on out would only reconfirm Troma's reputation which existed merely because of The Toxic Avenger. So, after this, there's only one thing left to do. Lloyd finally does right by his creation. It's time to make Toxie a badass again.

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This long awaited "real sequel" wastes no time in letting us know that it's nothing like the parts 2 and 3, more or less disowning them. We begin at a school for retarded kids that is being terrorized by the diaper mafia. Several of them get their heads blown off before Toxie can even make it there, and even then, he does a lousy job at saving the day, and even going so far as to hiding behind some of the tards when getting shot at. This chaotic, cluster fuck of a scene lasts about a half hour, and includes Toxie running home to have an impregnation break with the wife, which ends up being a successful one. As Toxie makes it back to the school, he's only able to save a couple of retards from being incinerated by an explosion after his sidekick eats the bomb, and gets his fat ass blown up, as well. Toxie and his retarded new friends are whisked away into an alternate dimension by all this. A town called Amortville, where a freak of nature known as The Noxious Offender wreaks havoc. Noxie is a crack dealer and a pimp, and an all around dick. And he's now headed to Tromaville.

image We're treated to many "fish out of water" jokes with Toxie and Noxie. Toxie deals with all sorts of Amortville scum and perverts, while Noxie knocks off half the Tromaville population in a comically gruesome manner, convincing everyone that Toxie has snapped. As Toxie battles an evil kabukiman and other bad guys on the other side, Noxie knocks up Sarah after a raping, which means she's now pregnant with two fetuses. One from Toxie and one from Noxie. But after meeting Sarah's counterpart, Claire, and his dead sidekick's counterpart, Toxie may have found a way to get himself and his retards back home, where there will be hell to pay for The Noxious Offender.

Lloyd Kaufman's brand of comedy is like that class clown from way back in the third grade. Stupid and desperate for attention. He shamelessly throws anything he can think of at you, with the hopes of something to get a laugh. And while you know you shouldn't laugh since he's such a retard, one or two of his many, many sad jokes usually gets a laugh out of you. That's Citizen Toxie in a nutshell. At least that's my interpretation after my most recent viewing. I was once a huge fan of this movie way back when Troma was more my cup o' tea. And while I still enjoy it, it's now mainly just a movie I have respect for due to being a sequel that makes the sequels which came before it look like total shit by comparison. In other words, Citizen Toxie kicks ass by default.

image As much as some of the humor wears on my nerves, sometimes, they really did get it right with this one. Citizen Toxie is basically a cross between the original Toxic Avenger and Terror Firmer, which probably wasn't a surprise to anyone. The homage to The Wizard Of Oz, the intentional continuity errors, and of course the whole retard thing ultimately made this film a fun and satisfying experience. Troma pulled out all the stops, here, with cameo after cameo, featuring appearances by Trent Haaga, Lemmy, Will Keenen, Ron Jeremy (as the Mayor), Eli Roth, Corey Feldman, and none other than Mark Torgl in a very unexpected appearance. To me, Heidi Sjursen's portrayal of Sarah was also one of the highlights. She more or less made a joke out of the character, and looks to be younger than the original was way back in 1984, She seems to get dumber and dumber as the story progresses, which is pretty hot.

David Mattey's interpretation of The Toxic Avenger was also very good. He's a little skinnier than the original, but at least he's not 5'7. Of all the stupid shit said in this movie, very little of it was said by him. If the off and on rumored Toxie 5 ever gets made, I'd like to see Mattey reprise his role. But if there is to only be four, then, I think Citizen Toxie was a fantastic way of closing the book, because The Toxic Avenger has finally redeemed himself. 6/10

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#Review
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Tales of Halloween (2015)

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My brief thoughts on the film...

This film was extremely hyped, so much so that people were comparing it to Trick 'หœr Treat, the superb horror anthology film from 2007. My expectations were high and while I enjoyed it overall, I couldn't help but feel a little underwhelmed. The segments are hit and miss and it lacks the strong narrative structure and meshing that Trick 'หœr Treat had.

Basically, it's an anthology film with ten segments from ten different directors that are all set in the same town. They're all loosely tied together by a radio DJ, who's played by Adrienne Barbeau. The film does a good job of capturing the spirit of Halloween in spite of some of the segments missing the mark. My personal favorite segments are "The Night Billy Raised Hell", directed by Darren Lynn Bousman, and "This Means War", directed by Andrew Kasch and John Skipp.

It's an uneven horror anthology film overall, but it's entertaining and I recommend it. It features just enough of everything that makes anthology horror and Halloween fun.
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Hexadog!

An android app developed by our own @DerTables.

https://play.google.com/store/apps/details?id=com.teinc.hexadog

You destroy blocks to get a high score, just don't click the red blocks and don't fall off.


It's pretty mindless, but I really enjoy it.

#Android #App #Game
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Blood Feast 2: Comeback Of The Millennium

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Three days ago, Herschell Gordon Lewis passed away. Earlier that day, I wrote a review for Frank Henenlotter's Bad Biology, and emphasized on this film being his comeback. Hours later, I hear of Herschell's passing. One of the few remaining, and most beloved trailblazers in Horror and Exploitation, as well as one of my own personal B-movie idols. 2016 has taken away so many of our favorites, but this one has hit me the hardest. And as I've pondered Herschell's legendary career, his shortcomings as a filmmaker, and what a nice guy he seemed to be, I also got to thinking about his own comeback in 2002. Perhaps the greatest comeback of them all. As well as the most long awaited, and ultimately satisfying sequel I can think of off the top of my head. Today, I need to talk about Herschell Gordon Lewis. And while doing so, we're going to explore the goriest movie he ever made; Blood Feast 2.

image But first, a little backstory leading to this point in time. From the late 50's to the early 70's, Herschell Lewis exploited just about every exploitable taboo in his films. From Nudie Cuties to Hixploitation, the man covered a lot of ground. However, there's only one taboo he will be remembered for. We all know that's the Gore. But not just gore, itself. Herschell along with his producer and friend, David F. Friedman, made history by making the balsy move of being the first people to come out with Horror (for the lack of a better word) films with kill scenes which included graphic violence. Fake looking, yes. But there was just so much of it! Not that they could compare with a Martyrs or a Dead Alive, but this was groundbreaking stuff for 1963. And those who weren't impressed by this, were absolutely outraged and sickened. But tough shit. There were no laws preventing the gore. Nor would there ever be.

Fast forward to 1972. Many films, and several gore films later. Herschell comes out with his goriest and sleaziest film to date; The Gore Gore Girls. And it seems as though Herschell is only getting started. But as it would turn out, this is where he would leave things. Herschell left the Exploitation world behind, and quietly disappeared.

image For a while, it may have seemed these films, and maybe even the era itself, had been forgotten. But with the emergence of Something Weird Video, the world would be reminded, and a new generation would be made aware of Herschell Gordon Lewis' contributions and the impact it had. He didn't know it yet, but Herschell had become a legend. Thanks to Mike Vraney, we were treated to dvd releases of most of Herschell's films, packed with extras, usually including some entertaining and informative audio commentary tracks by Herschell himself, telling his story, piece by piece. As something Weird Video breaths new life into the old films, it becomes more and more clear over the years, that making another film might be an option. And in 2002, thirty years after The Gore Gore Girls, Herschell finally gave all the gorehounds what they were craving with a sequel to his most famous film, Blood Feast. However, there would be high expectations for a Blood Feast 2. And rightfully so.

As expected, Blood Feast 2 turned out beautifully. It had the feel of an old Lewis flick from the 60's, but with that certain self-aware comedy that most modern B-movies possess. This was also very much a throwback, before such a thing even existed. Plenty of low brow humor, reminiscent of Troma, at times. Most importantly, Blood Feast 2 is one of the craziest, most gore-drenched films I have ever seen. It's as if all this gore had been waiting with us for those 39 years, only to unload all over us when the time was right. But now, let's talk about the comically thin storyline.

image Unlike the original Blood Feast, as well as most of Herschell's gore films, this sequel was not filmed in Florida. To me, that takes away, but isn't unforgivable. I guess the story is supposed to take place in Miami, though. In Blood Feast 2, we meet the grandson of Fuad Ramses, cleverly named Fuad Ramses III. Fuad the 3rd has inherited his grandfather's catering business, which he is now taking over. I have no idea how this works, exactly. Did he actually inherit this place from his father, who originally inherited it from Fuad the 1st, decades ago, or are we supposed to think no time has passed since 1963? If so, they're doing a shitty job of making it look like it's 1963.

So, early on, we can tell where all this is headed, as the paper thin story takes a back seat only to the horrific acting, especially by the guy who plays Fuad the 3rd, who is so wrong for this role, yet so right. Fuad the 3rd is possessed by the same statue as seen in the original, which makes him all sweaty and creepy, and his hair all greasy-looking like grandpa Fuad. so, this otherwise regular guy is now obsessed with Egyptian Goddess, Ishtar, and pleasing her with the feast which must include human body parts. The Egyptian blood feast is about to return to Miami, or whereever.

image Most of the "so bad it's good" humor comes from two places. The oblivious cops, and a rather cunty woman named Mrs. Lampley, who's daughter is getting married. The Lampleys come to Fuad the 3rd to cater the reception. Mrs. lampley is a horrible, controlling woman, who you just know is going to get it sooner or later. She probably has the best lines in the movie, though. Meanwhile, Fuad the 3rd is on a killing spree so he can please Ishtar as well as his new clients. Which brings us back to the cops. One, a fat fuck, who constantly feeds his fat face in literally every scene he's in. And the other, a green little gipper who could pass for a junior in highschool. The two of them make asses of themselves as they try to make sense out of all the gore. Never once are they on the same page, as they both suspect Fuad, but at different stages in the movie. Even when evidence stares them right in the face, they still don't get it. Meanwhile, the arrogant Fuad barely even has to try and cover his tracks. Where's Thomas Wood when you need him?

Not often does hype and wait pay off so beautifully. I can't speak for anyone but myself, but this is exactly what such a long-awaited Blood Feast sequel should be like. Ridiculously gory, bad on purpose, which usually doesn't work, but for this, it does. And most of all, Blood Feast 2 is fun from reel to reel. One can tell Herschell held on to some ideas over the years just for this movie. I still haven't herd the audio commentary for this film, and haven't ever heard him speak of it, really, but I can imagine Herschell was satisfied with this film every bit as much as his loyal and patient fanbase.

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If Blood Feast 2 had turned out to be Herschell's last film, I don't think many of us would be complaining. However, he didn't stop there. Because in 2009, yet another gore epic was bestowed upon us, with the outrageous satire comedy, The Uh-Oh! Show, starring Joel. D. Wynkoop. And as we speak, his final work, BloodMania, is now in post-production. Herschell Gordon Lewis may be gone. But for his fans, the journey is not quite over. As fun as his modern movies are, they did nothing for his legacy, as it was already cemented decades ago. Although, I will always be grateful that good 'ol H.G. wandered on back to hang with us for a while longer. The Godfather Of Gore will never be forgotten. R.I.P. H.G.L. 7/10

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#Review
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Wolf Creek - The Series

I thought the first film was an alright, bleak chainsaw massacre rip-off. The second film was a lot more over-the-top in gore and somewhat funny. Now... we've got a web series in the works with John Jarratt (Mick Taylor) and Greg McLean (writer/director of both films) returning.

I'm down for some more Wolf Creek, and I'm glad John Jarratt seems to enjoy playing a psycho this much, because he's good at it! So does anyone care? We have at least 3 users from and around Australia, so maybe it's relevant to them?
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one of those plonkers * ๐ŸŒ โš ๏ธ NSFW
Walton Goggins

I'm on a Walton Goggins tv show marathon. I just finished Sons of Anarchy, where he plays a transsexual. Now I'm watching Vice Principals, the HBO show where it's him vs. Danny McBride to become principal of some shitty school. THen I'm gonna watch 'Justified'.

Walton Fuckin' Goggins, yo!

#GetYourGogOn #Goggins4Life
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The tit patrol, that's who! * ๐ŸŒ โš ๏ธ NSFW
Unofficial Evil: The History Of The Devil You Know

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The Business side of music can be a bitch. Like every business, money and technicalities are everything. It was always true, but much truer nowadays. Take Black Sabbath for example. A band once based on drugs, doom and creativity, is now nothing more than a money making machine, controlled by lawyers, managers, contracts and greed. All the things the original Black Sabbath loathed way back in the anti-establishment 70's. But for a band to keep up these days, they've got to play the game. But let's back up a little bit. The original Sabbath ended as the 70's was coming to a close. Original singer, Ozzy, is out, and Dio's in. We've all heard the story. But with Dio's presence in the band brought not only a new voice, but a new writing style, a new vibe, as well as new life. In a way, Ozzy hadn't been relpaced at all. Black Sabbath become something else, entirely. And this change couldn't have come at a better time.

image The release of Heaven and Hell conveniently came out around the same time as Ozzy's first solo album. Most anyone doubting the capabilities of this new guy was no doubt put in their place pretty quick by this refreshing new take on this no longer familiar band. What is now considered the traditional Sabbathy sound, had been replaced by a more contemporary Metal sound, perfect for the times. Black Sabbath was indeed back. But sadly, this new version would slowly crumble, as drummer, Bill Ward, took off not too long after this, due to personal issues. There would be one more album with Dio, but with a new drummer. A guy named Vinny Appice, who did a fairly good job filling in for the burnt out Ward. Not long after this, there was a huge disagreement, Dio left he band, took Appice with him, and started his legendary solo career. And so begins Black Sabbath's so-called dark period.

image Ten years and five albums later, Sabbath had become about as irrelevant as it was going to get. With its current era having little identity due to constant bass and drum changes, Iommi had no problem telling current singer, Tony Martin, and whoever else, to get lost, as the team of Dio/Appice was returing to the fold. And of course. Geezer too. After one pain in the ass recording process, Dehumanizer was born. A very un-Dio-Sabbathy bunch of songs. Uninspired, uninteresting, and put bluntly, a little hard on the ears. A growly Dio sounds like shit on this one for some reason, and really, they all do. I don't know what happened, but Fuck Dehumanizer. That's all I got to say. And who really cares about Black Sabbath in 1992, anyway?

And due to yet another disagreement, this time invloving a show that included the "one time only" return of Ozzy, Dio Sabbath fell apart again. Time to get those other guys that nobody cares about back in. So, a little more of that, and later on, the inevitable reformation of the original Black Sabbath. This reunion, however, would mean the end of an era. To get Ozzy back in, contracts were signed. This was a different Ozzy than the broken man who was booted out almost two decades ago. Ozzy had made a name for himself in his solo career which, at the time, overshadowed Sabbath. For the past glory and legacy of this band to be restored once and for all, Shozzy (Sharon and Ozzy) demanded partial ownership. And a decision was made which ended this pattern of line up changes forever. Once again, there is only one Black Sabbath. Despite regaining respect and cementing their legacy as a big fucking deal, Sabbath merely became an oldies attraction, Almost constantly touring, playing only the greatest hits we've heard a thousand times, but never actually coming out with anything new. This phase ran its course, and just like that, the original Black Sabbath was again history.

A decade and a half after Dehumanizer, the original's reunion went nowhere, really, and now, talks once again start up between Black Sabbath and Dio. A "Dio Years" compilation album is released with three new tracks, all fairly strong material which were well-recieved. This leads to a successful tour. Tour leads to talks of an album. And right on schedule, Bill Ward shoots down any chance of being involved in that. However, Vinny "Dio's Drummer" Appice is always available. And then it was made official. The Mob Rules/Dehumanizer version of Dio Sabbath would be coming out with a new album. But said album being part of the Sabbath catalogue is out of the question. After a lawsuit with Ozzy, clearing up any confusion of who's in Sabbath and who isn't, a decision was made to start a new band. Dio-fronted Sabbath would now be known as "Heaven And Hell. Named after the first album featuring Dio.
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There's not a hell of a lot to say about the recording of this album. No drama, everyone got along and hada great time, everything went smoothly. And most importantly, the album ended up nothing like Dehumanizer. So, let's take a look at The Devil You Know.

Atom And Evil: Slow, pretty, very Sabbathy. Not the best song on here, but still a refreshingly melodic opening track, letting us all know that Dio Sabbath is back. 6/10

Fear: This one switches gears nicely, giving us one of Iommi's coolest and fastest riffs to date. Dark, catchy and modern. Some energetic stuff, here. 7/10

Bible Black: I just can't praise this one enough. Starting out slow and heavenly with an acoustic guitar, until we are plunged into Hell with a lost soul. Shit picks up and gets real menacing real quick. This might not be a popular opinion, but I consider Bible Black to be Dio-Sabbath at its catchiest and all around best. Perfect! 10/10

Double The Pain: I could see some UFC fighter picking this song to come out to. Very much a fight song. Sounds like there's a story behind this one. Not sure who's. Not a very Sabbathy one, but one of the stronger tracks. 7/10

Rock And Roll Angel: Well, this just reminds me of Creed. So, that's not good. Still, not too shabby. Most chicks probably favor this one. 5/10

The Turn Of The Screw: Here, we hit a bit of a mid-album slump. There's not really anything wrong with this song, but it's not quite worthy of this album, which would probably be better off without it. 4/10

Eating The Cannibals: Fun little song. The shortest track on here, but one of the catchiest. Nothing impressive. Great solo by Iommi, though. Somewhere between filler and greatness. 5/10

Follow The Tears: A close second to Bible Black. Powerful and doomy, with a slow build into a beautifully evil epic. One of the all time greats for this band. 9/10

Neverwhere: The only song I enjoyed less than The Turn of The Screw. These two songs would be better suited for a solo Dio album. And even then, they'd be filler. 3/10

Breaking Into Heaven: Slow, doomy, majestic, evil, and beautiful. This is what The Dio-fronted version of Black Sabbath is all about. A fantastic final song for this legendary group. 8/10

image Not bad at all. Dio, Iommi, Butler and Appice left Black Sabbath behind and the baggage and drama that came with it, and just did what they do best; Create amazing music. I wouldn't put this one quite up there with the Heaven and Hell and Mob Rules albums, but this is a far cry from Dehumanizer, which left a bad taste in many mouths for many years, until The Devil You Know finally came along and made up for it. Any fan of of this Sabbath incarnation should have no trouble forgetitng this is not an official Sabbath album. Because when it comes down to it, the music is all that matters in the end.

image After a successful release and tour, plans were already in place for yet another album to be recorded. Iommi was already throwing around ideas for riffs and everything. This, of course, did not happen, and, sadly, never will, as Ronnie James Dio was diagnosed with stomach cancer. And on May 16th, 2010, it did him in. The world had lost one of the true icons of Metal. Now, I don't believe in an afterlife. And from what I've heard, neither did he, but I do hope that somewhere, on some plain of existence, the voice of God is alive and well, and restored to its 80's perfection. Not that his voice lost much in his final years. Quite remarkably, his 67 year old vocal cords did him better than most 27 year olds. Ronnie James Dio will never be known as someone who wore out his welcome. He just kept on kicking ass until the very end.

The truth is, I never had much use for 'ol Dio while he was alive. I always thought Heaven And Hell and Mob Rules had their moments, but they never quite clicked with me, and I never really appreciated his talent until I heard The Devil You Know. So, regardless of what this band was officially referred to in the end, I'll always be grateful that they got together once again to give the Dio Sabbath fans some Closure. Since the untimely end of Heaven And Hell, Drummer, Vinny Appice has moved on and joined a band called Kill Devil Hill. While Tony and Geezer have reunited with Ozzy and (NOT) Bill Ward to officially reform Black Sabbath to give some closure to the other end of the fanbase. A much more satisfying and long-awaited album, but that's another story. Shozzy may have successfully had The Devil You Know stricken from the record books, but they'll never sweep it completely under the rug. Nor will they make us forget the power of the almighty Dio, and his influence over Black Sabbath and Metal in general. So ends another chapter from the greatest band in the world! 7/10

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